David Maljković
Temporary Projections
Georg Kargl Fine Arts presents Temporary Projections, the second solo show of the Croatian artist David Maljkovic, and his first one in the main space of the gallery.
In his installations, videos, and collages, David Maljkovic (born in 1973) is concerned with aspects of the eventful history of his country. The far-reaching consequences of the transformation from a communist to a capitalist social system and the linked economic and cultural impacts form the subtext of his artistic production.
Exploring the modernist remnants of socialist Yugoslavia and their echoes to the present as well as their future possibilities is one of the main themes in his artistic practice. In recalling the ideas of the past, analyzing their impact on the presence, transforming them into sites of an utopian alternative future, he achieves a shifting between different time levels. With his current exhibition at Georg Kargl Fine Arts David Maljkovic has undertaken an experimental journey through the broad and complex space of the gallery. Through a massive architectural intervention the gallery is divided into a public and a private space, an exposed and a hidden part. With Temporary Projections David Maljkovic creates an atmospherically charged overall installation.
Fiona Liewehr has interviewed David Maljkovic about his artistic practice, his motivations and the specific challenge of the gallery space.
FL: My impression is that Temporary Projections is a very special exhibition for you. You’ve started painting again, and at first glance your works have nothing to do with one of the main subjects of your artistic practice: investigating the history of your own country, questioning the impact of modernist conceptions from socialist Yugoslavia on the present and for an alternative future. Is there a link? Are you striking a new path or even starting a new chapter of your work
DM: Temporary Projections refers to my 16mm film Images With Their Own Shadows from 2008. It deals not so much with the content of the film, but rather with its underlying principle. This film was shot at the former villa of Vjenceslav Richter (1917-2002), a founding member of the group EXAT 51. In the video you see a black screen with subtitles: You hear Vjenceslav Richter speaking about certain moments of his history as an artist. The sound clips come from the last-recorded interview with the artist and architect and alternate with scenes of young people that are shown with their mouths open as if they are about to speak, but you can only hear the sound of the projector. The overlapping of the sound of the projector in the film with the actual sound of the projector was a striking experience for me that I now bring to the gallery space, treating sound in almost the same way. The sound of the projector moderates and triggers the image.
This exhibition is special for me because it goes further in the realm of sound, which has always been very important in my video works and installations, but now is directly linked to the gallery space.
I don’t see this exhibition as a starting point for my returning to painting, and I’ve never thought about stopping or starting to paint because I do not approach media in that way.
The paintings in this exhibition are hidden physical evidence. In a physical sense they are paintings, but I would rather see them as positions. In my artistic practice the structuring of the subjects chosen is much more important than the subjects themselves, but of course the subject is capable of grasping someone’s attention and directing him on some superficial level. I do not tend to be occupied with the context of my work and I can even say that in my opinion artists rarely think about the context when they are creating their works. Every project for me is a whole new approach, in a way, and I see this exhibition as closely related to some of my previous works, such as Place With Limited Premeditation from 2003-04, works that were created during my stay at the Rijksakademie in Amsterdam and were presented later in an artist’s book. Also the work Space Has Happened from 2002 is linked, when I took the numbers used by the police for photographing crime scenes and positioned them in the empty gallery space.
FL: Matt Mullican has labeled this gallery space as a kind of “learning space“ with its three levels, with its labyrinthine and heterogeneous structure. What was the special challenge of the space for you?
DM: Of course every artist has a different approach to the Georg Kargl gallery space, because it is a very personal space, and it is not possible to just arrive and deliver the works. Due to this specific character Temporary Projections makes sense in that space. In a clean white cube that work would not be possible. For me it is a kind of “traveling space”.
FL: You have divided the gallery space into two parts, a public and a private space. You have closed parts of the rooms that are normally used as exhibition spaces and you have opened other parts that are normally private and hidden. Even in the “public” part of the show, your works are hidden: you place a linoleum print in a tube on a shelf, small paintings are screened by a giant umbrella that is normally used in photo studios, so that they can only be seen from the side.
This exhibition is a challenge to every visitor. Not only have you completely changed the standard patterns of reception of the space: the visitor has to overcome his inhibitions and force his way into the main space of the gallery to grasp the whole show. What brought you to this idea, to this experiment?
DM: I am not sure if I would call those spaces public and private, but it can be seen that way. I would rather divide the space into the projection room and the projection. Of course the projection here is my private fictional studio. I had a similar feeling while I was shooting the film Images with Their Own Shadows in Vjenceslav Richter’s studio. His studio was not really his studio anymore; from the moment it was opened for the public it became the projection of a concept of the studio. His works and the whole new situation started to look more like some casting. I decided to treat Temporary Projections in a similar way, and even go a step further, because the studio is the paradigm of a studio, a working space that never really existed. My three-month stay at Augarten Atelier is quite important for this exhibition because that studio became the model.
FL: Is there an interest in the exchangeability or contingency of categories such as public and private?
DM: No.
FL: Let’s return to the cinematic aspect of the show. Right after entering the gallery one is occupied by the sound of a 16mm projector that accompanies the visitor during his walk through the space. The light from a giant photography studio umbrella creates the atmosphere of a film set and a huge blackbox leads toward a dead end. You evoke the suggestive power of the cinema throughout the exhibition, without showing film. As I see it, in this exhibition you try to interrogate the methods of narrative construction and point out the fragmentary character of reality and its filmic representation. What is your special interest in the medium of film?
DM: I actually agree and think my intention was pretty close to just that. It is a lot about the projection room. I would like to mention sound once again, which here has the purpose of keeping the image alive. This aspect has two sides, on the one hand the sound of the projection makes the image more suggestive and in a way activates the static scene, while on the other hand it gives the scene a temporary character, because film is always time-based and has always its duration. The exhibition is a walk across the interstice of an artistic practice and your participation in it.
Biography
born 1973 in Rijeka, lives and works in Zagreb
Selected Solo Exhibitions
2024
Solo Show, Dvir Gallery Paris, France
2023
IN THE PICTORIAL CODE, Quetzal Art Center, Vila de Frades
2021
David Maljkovic, Galerija Kula, Split
Forthcoming, T293, Rome
In the Corner of the Eye, Annet Gelink Gallery, Amsterdam
2020
PART 1: ANNOUNCEMENT ATTEMPT PART 2: ONLINE PROBLEM OR HOW TO REPRODUCE A GALLERY PART 3: EVERYDAY OBJECT IN THE GALLERY PART 4: SHOW SHOW SHOWROOM PART 5: INTERMEZZO PART 6: POSSIBLE PRESS PART 7: EXHIBITION, Georg Kargl Fine Arts, Vienna
With the Collection, Museum of Modern and Contemporary Art, Rijeka
2019
In the List of Works, Dvir Gallery, Brussels
Glimpses, Galleria Massimo Minini, Brescia
Gaze Dithering, Galeria Francisco Fino, Lisbon
Also On View, The Renaissance Society at the University of Chicago, Chicago, IL
2018
Alterity Line, Metro Pictures, New York, NY
2017
Dvir Gallery, Tel Aviv
2016
Vignettes, Annet Gelink Gallery, Amsterdam
All Day All Year, T293, Rome
Again and Again, Museum of Modern Art, Ljubljana
VOX, Centre de l’image contemporaine, Montreal
AAASSEMBLAGE, Dvir Gallery, Brussels
2015
With the Gallery, Galleria Massimo Minini, Brescia
A Retrospective by Appointment, Galerija Nova, Zagreb
Negatives, Centre d’Édition Contemporaine, Geneva (with Konstantin Grcic)
New Collection, Blondeau & CIE, Geneva
Sprueth Magers, London
In Low Resolution, Sommer Contemporary Art, Tel Aviv
Metro Pictures Gallery, New York, US
2014
In Low Resolution, Palais de Tokyo, Paris
Georg Kargl Fine Arts, Vienna
Lokremise, Kunstmuseum St. Gallen
Leal Rios Foundation, Lisbon
2013
Sources in the Air, BALTIC Centre for Contemporary Art, Gateshead
Presentation with Fabio Mauri, MIART, Milan
ZONA MACO, Mexico City
Metro Pictures, New York
Sources in the Air, GAMeC, Bergamo
New Reproductions, CAC-Contemporary Art Center, Vilnius
Annet Gelink Gallery, Amsterdam
2012
A Long Day For The Form, Sprueth Magers, Berlin
Morgenlied, Kunsthalle Basel, Basel (with Latifa Echakhck)
A Long Day For The Form, T293, Rome
Sources in the Air, Van Abbemuseum, Eindhoven
Scene, Hold, Ballast, Sculpture Center, New York (with Lucy Skaer)
2011
Exhibitions for Secession, Secession, Vienna
Temporary Projections, Georg Kargl Fine Arts, Vienna
Recalling Frames, Metro Pictures, New York, NY
La Casa Mila, kuratiert von Christina Camara Bello, Loop Festival, Barcelona (with Rosa Barba)
Images with Their Own Shadows, Vjenceslav Richter Collection, Museum of Contemporary Art, Zagreb
2010
Images with Their Own Shadows, Moderna Galerija, Ljublijana
Images with Their Own Shadows, Glasgow International Festival of Contemporary Visual Art, Glasgow
Lost Cabinet, Nogueras Blanchard, Barcelona
Missing Colours, Annet Gelink Gallery, Amsterdam
Recalling Frames, Sprueth Magers, London
Retired Forms, Massimo Minini, Brescia
Out of Projection, Art Unlimited, Art 41 Basel, Basel
2009
Museo Nacional Centro de Arte Reina Sofia, Madrid
Retired Compositions, Metro Pictures, New York, NY
Nothing Disappears without a Trace, Solo Project ARCO, Madrid
After the Fair, Georg Kargl BOX, Vienna
Fondazione Morra Greco, Naples (with Susanne M. Winterling)
Sprüth Magers, Berlin
2008
Handed Over, Project Art Centre, Dublin (with Rosa Barba)
Lost Memories from These Days, Annet Gelink Gallery, Amsterdam
Lost Review, Le Plateau, Paris
Kunstverein Nürnberg, Nuremberg
Parallel Compositions, Bergen Kunsthall, Bergen
Shadow Should Not Exceed, Pinksummer Contemporary Art, Genua (with Jan St Werner)
2007
These Days, Present Future, Artissima 14, Torino
Almost Here, Kunstverein in Hamburg, Hamburg
Scene for New Heritage III, Art Unlimited, Art 38 Basel, Basel
P.S.1 Contemporary Art Center, International and National Projects, New York, NY
Scene for New Heritage Trilogy, Whitechapel Art Gallery, London
Days Below Memory, CAPC musee d’art contemporain, Bordeaux
Scene for New Heritage Trilogy, The Physics Room, Christchurch
2006
Salon of Museum of Contemporary Art, Belgrade
Museum of Modern and Contemporary Art, Rijeka
These Days, Gallery Nova, Zagreb (with Yael Bartana)
It’s gonna happen, Croy Nielsen, Berlin (with Rosa Barba)
Scene for New Heritage II, Centre de Creation Contemporaine, Tours
2005
Waiting Tomorrow, Annet Gelink Gallery, Amsterdam
90s without 90s, MMC Palach, Rijeka
Scene for New Heritage, Van Abbemuseum, Eindhoven
2002
Paintings for everyday use, Miroslav Kraljevic Gallery, Zagreb
Your moment is your heritage, Minimal, Ljublijana
Space of painting, Moria, Stari Grad
2001
Transplantation, Kordic Gallery, Velika Gorica
Three Paintings – isn’t a Trilogy, Beck Gallery, Zagreb
2000
Juraj Klovic Gallery, Rijeka (with Tomislav Curkovic)
1999
Otok Gallery, Dubrovnik
Gal Gallery, Rijeka
1998
There is too much of me, Lotrscak Tower, Zagreb
The dishes are thrown, Palazzo Ploech, Rijeka
1997
Jederman, Caffe IN, Rijeka
1996
Modern Gallery-Young Artists Club, Rijeka
Selected Group Exhibitions
2023
Fenêtre du Studio, Dvir Gallery Paris, France
2022
I Had a Dog and a Cat, curated by Hana Ostan Ozbolt, Georg Kargl Fine Arts, Vienna
No Milk Today, Dvir Gallery Paris, France
Salon de Paris, Dvir Gallery, Brussels
Words to be Seen - exhibition from the collections of the MMCA, MMCA, Rijeka
Espèces d'Espace, Dvir Gallery Paris, France
Things Break Down, MG+MSUM, Museum of Modern Art MEtelkova, Ljublijana, Slovenia
2021
Bigger than Myself. Heroic Voices from ex Yugoslavia, MAXXI, Rome
Here to Stay. New arrivals to the Collection, Museion, Bozen
Bye-bye Hi-Story, Centre de la Gravure et de l´Image, La Louviére
Handle with Care, Galeria Fancisco Fino, Lisbon, Portugal
Georg Kargl EDITIONS, Georg Kargl Permanent, Vienna
2020
New Reproductions, Annet Gelink Gallery, Amsterdam
puro e disposto a salire le stelle, Galleria Massimo Minini, Brescia
2019
Selection form the Collections, Museum of Modern Art, Ljublijana
Orient V / Fotograf Festival - Archeology of Euphoria: 1985-1995, City Gallery Prague, Prague
Unfolded Matters, Nature as Culture, Culture as Nature, Georg Kargl Fine Arts, Vienna
Contemporary Art from Croatia, European Central Bank, Frankfurt
Mario Merz Prize, 3rd Edition, Fondazione Merz, Torino
Constellations, Museu Colecao Berado, Lisbon
Deep Sounding - History as Multiple Narratives, daadgalerie, Berlin
2018
Art in the Age of the Internet, 1989 to Today, University of Michigan Museum of Art, Ann Arbor, MI
True Luxury..., Stedelijk Museum Amsterdam
Selection from Collection of Moderna Galleria, Artleast 2000 + National Collection, Museum of Modern Art, Ljublijana, Slovenia
Orient, Gallery of Contemporary Art Bunkier Sztuki, Krakow
curated by_ Vienna Transit, Gesellschaft für projektive Ästhetik, Georg Kargl, Vienna
The Marvellous Cacophony, Belgrade Biennale 2018, Belgrade
Toward a Concrete Utopia, Museum of Modern Art, New York, NY
CONCENTRATION - a tribute, Gesellschaft für projektive Ästhetik, Georg Kargl, Vienna
(anti)thesis of Architecture, Zarya Center for Contemporary Art, Vladivostok
VICE VERSA: Our Earth is their Moon, our Moon is their Earth, Festival m3/Art in space, Prague
CUT, Museum of Contemporary Art Zagreb, Zagreb
Instructions for Watching – What the Body Wants?, MMSU, Rijeka
General Rehearsal, A show in three acts from the collections of V-A-C, MMOMA and KADIST, Moscow Museum of Modern Art, Moscow
Orient, Kim?, Contemporary Art Center, Riga
Reduction, Gesellschaft für projektive Ästhetik, Georg Kargl, Vienna
Reservoir Moderne, Kunstmuseum Liechtenstein, Vaduz
Art in the Age of the Internet, Institute of Contemporary Art, Boston, MA
2017
So Far, So Right: A Study of Reforms and Transitions Across Borders, Kuandu Museum of Fine Arts, Taipei
Mise-en-Scène, Deutsches Architektur Zentrum, Berlin
Everything we see could also be otherwise (My sweet little lamb), The Showroom, London; HDLU, Croatian Association of Artists, Zagreb
Life A User’s Manual, Art Encounters, Timisoara, Romania
Perfect Vacuum. A Reading on MUSAC Collection, MUSAC, Museo de Arte Contemporáneo de Castilla y Léon, Léon
Fragments of Paradise, Le Scalze - Chiesa di San Giuseppe a Pontecorvo, Naples
Pallaksh Pallaksh (I don’t know just where I’m going), Dvir Gallery, Tel Aviv
Where do we go from here?, Annet Gelink Gallery, Amsterdam
Where do we go from here?, Ellen de Bruijne Projects, Amsterdam
2016
Répétition, Boghossian Foundation – Villa Empain, Brussels
To Inherit the Wind: New Perpectives on Heritage, Fundacao Eugenio de Almeida, Évora, Portugal
Works and lives in, Zona Sztuki Aktualnej, Szczecin, Poland
D´une Méditerranée, l´autre, FRAC - Provence-Alpes-Côte d’Azur, Marseille
Konstruktion_Reflexion, mumok, Vienna
Low-Budget Utopias, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia
Random Rapid Heartbeats, Tallinn Art Hall, Tallinn
Béton, Kunsthalle Wien, Vienna
Faraway So Close, High Line, New York, NY
The Eigth Climate (What Does Art Do?), 11th Gwangju Biennale, Gwangju
New Visions, Tensta Konsthall, Stockholm
A Moment of Grace, Modern Art Oxford, Oxford
Barbarian in the Garden, 83 Pitt Street, New York, NY
2015
Ich glaub’ mich tritt ein Kunstraum, PFERD – Forum zur Förderung zeitgenössischer Kunst, Vienna
All the World’s Furures, curated by Okwui Enwezor, 56th Venice Biennale, Venice
Back to the future, Annet Gelink Gallery, Amsterdam
Mix Match Museum, Stedelijk, Amsterdam und Van Abbemuseum, Eindhoven
Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, NY
75 Gifts for 75 Years, Walker Art Centre, Minneapolis, MN
Museum of Contemporary Art, Banja Luka
2014
Empty Pedestal, curated by Marco Scotini and Giorgio Verzotti, Museo Civico Archeologico, Bologna
Cinema Remake, EYE Film Institute Netherlands, Amsterdam
El Teatro del Mondo, curated by Andrea Torreblanc, Museo Tamayo Arte Contemporaneo, Mexiko
Une Histoire. Art, architecture, design. Des annèes 1980 à nos jours, Centre Pompidou, Paris
Coming to Reality, SVIT Praha, Prague
Poland Kalashnikov. Gallery of Contemporary Art Bunkies Sztuku, Caracovie
The sea is my land Artisti dal Maditerraneo, La Triennae de Milano, Design Museum, Milan, Italy
En Suspension, FRAC Pays de la Loire, Carguefou, France
Personal Cuts, Carré d’ Art Musée d’ Art Contmemporain, Nîmes
2013
Ausstellen, Museum Folkwang, Essen
Cinematic Scope, Georg Kargl Fine Arts, Vienna
Zero Point of Meaning, kuratiert von Sandra Krizic Roban und Ivana Hanacek, Camera Austria, Graz
Europen Kunsthalle in Bregenz, curated by Vanessa Joan Muller und Astrid Wege, KUB Arena Kunsthaus Bregenz, Bregenz
Speak Memory, Miriam and Ira D. Wallach Art Gallery - Columbia University, New York, NY
Orpheus Twice, David Roberts Art Foundation, London
Tomorrow Was Already here, MARCO Museo de Arte Contemporaneo de Monterrey, Mexiko
Sin motive aparante - For no Apparent Reason, CA2M Centre de Art Dos De Mayo, Madrid
The Sea is my Land, curated by Francesco Bonami, MAXXI Museum Rome, Rome (exhibiton travels to Milan, Naples and Palermo)
Last Year at Marienbad, curated by James Voorhies, Bureau for Open Culture, EFA Project Space, New York, NY
The sum of its parts : Contemporary Collage, curated by Hannah Matthews, ACCA Australian Centre for Contemporary Art, Melbourne
Near, Closer, Together, Sofia Contemporary, Sofia, Bulgaria
Inside outside architecture, Nosjonalmuseet, Museum of Contemporary Art, Oslo, Norway
At the outset, Circus, Berlin, Germany
Triple Identity, MSUI/MACI Museo d’Arte Contempranea dell’Istria, Pula, Croatia
Think Film, Cinemania 2013, MMC Luka, Pula, Croatia
…Was ist Kunst?, Resuming Fragmented History, KM Künstlerhaus, Halle für Kunst & Medien, Graz
2012
East Side Stories, Vidèos contemporaines Croates, Palais de Tokyo, Paris
Ecologies of Image, MUSAC, León
Rearview Mirror: New Art from Central & Eastern Europe, Art Gallery of Alberta, Edmonton
We are all Astronauts, Zeppelin Museum, Friedrichshafen
Indirect Speech, Bòlit, Centre d´Art Contemporani, Girona
Moving Forward, Counting Backwards, MUAC, Mexiko City
Animismus, Haus der Kulturen der Welt, Berlin
Lost Sites, curated by Teresa Blanch, Centro Huarte de Arte Contemporaneo, Pomplona
A wavy line is drawn across the middle of the original plan, curated by Soren Grammel, Kölnischer Kunstverein, Cologne
Latifa Echakhch & David Maljkovic – Morgenlied, Kunsthalle, Basel
La Triennale, Paris 2012, kuratiert von Okwui Enwezor, Paris
Lighting out for Territories, curated by Leila Topic, Kunsthalle Wien project space, Vienna
Foreigners Everywhere, Pomeranz collection, Jewish Museum, curated by Ami Barak, Vienna
Bucharest Biennale 5, curated by Anne Barlow, Bucharest
Performing Abstraction, Luciana Brito Galeria, Sao Paulo
Abstraction modernism and contemporaneity, Gelrija Klovicevi dvori, Zagreb, Croatia
One Sixth of the Earth Ecologies of Image, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe
Habita(n)t, Rabo Art Zon of Rabobank, Utrecht, Netherlands
Art Foundation Mallorca Collection – Special Edition CCA Andratx, Spain
2011
Æther project "Nouveau Festival du Centre Pompidou", curated by Christopher Keller, Centre Pompidou, Paris
Abstract Possible, curated by Maria Lind, Museo Tamayo, Mexiko City
Magical Consciousness, curated by Runa Islam, Arnolfini, Bristol
1st Time of Machine Biennial of Contemporary Art, D-O ARK Underground Konjic, BiH "No Network", curated by Branislav Dimitrijevic
"Wir sind alle Astronauten" - Universum Richard Buckminster Fuller, curated by Markus Richter, MARTa Herford, Herford
El Grito, curated by Maria Ines Rodriguez und Sofia Hernandez Chong, MUSAC Museo de Arte Contemporaneo de Castilla y León, León
Two Versions of the Imaginary, Annet Gelink Gallery, Amsterdam
The Present's Present, CAN Centre d'art Neuchatel, Neuchatel
Rearview Mirror, curated by Christopher Eamon, The Power Plant, Toronto
Look with all your eyes, look, Frith Street Gallery, London
Lost Stories, curated by Barnabas Bencsij, SOKOL Gallery for Contemporary Art, Nowy Sacz
Past Desire, curated by Jürgen Tabor, Galerie im Taxispalais, Innsbruck
2010
Star City – An Archaeology of Communist Futures, curated by Alex Farguharson, Lukasz Ronduda and Michal Wolinski, Nottingham Contemporary, Nottingham
Che cosa sono le nuvole. Artworks from the Righi Collection, Museum of modern and contemporary art, Bolzano
Le présent du passé, FRAC Pays de la Loire, Carquefou
Les Promesses du passé, curated by Joanna Mytkowska und Christine Macel, Centre Pompidou, Musée National d´Art Moderne, Paris
Fine Line, Georg Kargl Fine Arts, Vienna
Rethinking Location, Sprueth Magers, Berlin
Rehabilitation, curated by Dirk Snauwaert, Wiels Contemporary Art Centre Brussels, Brussels
Double Infinity, curated by Charles Esche, Davide Quadrio, Defne Ayas und Remco de Blaaij, Dutch Culture Centre, Shanghai
A Pair of Left Shoes - Reality Check in Eastern Europe, MSU Museum of Contemporary Art, Zagreb
A view on Central Europe, curated by Luc Tuymans, Brugge Centraal Festival, Brügge
5x5 Castello 10 International Art Prize Deputaio de Castello
Art Always Has Its Consequences, curated by WHW, EX MSU, Zagreb
Art Always Has Its Consequences, Museum Sztuki Lodz, Lodz
Memories of the Future, curated by Laurent Grasso, Sean Kelly Gallery, New York, NY
29th Sao Paulo Biennial, Sao Paulo
51st October Salon, curated by Johan Pousette und Celia Prada, Belgrade
De Piramide van IJmuiden, RC de Ruimte, IJmuiden
2009
Out of Projection, Metro Pictures, New York
5x5 Castelló, International Contemporary Art Prize Diputació de Castelló, Espai d'art contemporani de Castelló, Castellón
Modernologies, curated by Sabine Breitwieser, MACBA, Barcelona
Utopia and Monument I - public project, curated by Sabine Breitwieser, steirischer herbst, Graz
The Symbolic Efficiency of the Frame - 4th Tirana International Contemporary Art Biennial,kuratiert von Corinne Diserens, T.I.C.A.B., Tirana
Star City – An Archeology of Communist Futures, curated by Alex Farquharson, Lukasz Rondunda und Michal Wolinski, Ujazdowski Castle, Warsaw
Transitory objects, curated by Daniela Zyman, T-B A21 Thyssen-Bornemisza Art Contemporary, Vienna
Political Practices of (post) Yugoslav Art: Retrospective 01, curated by Jelena Vesic, Museum 25th of May, Belgrade
Places to be, Annet Gelink Gallery, Amsterdam
New Acquisition - Rarely Seen Works, Ludwig Museum - Museum of Contemporary Art, Budapest
Europe XXL, curated by Caroline David und Elena Sorokina, Tri Postal, Lille
Instantané (75) : Plus général en particulier, Frac - Pays de la Loire, Carquefou
What Keep Mankind Alive, kuratiert von WHW, Istanbul Biennial 11, Istanbul
Zweckgemeinschafft, curated by Art At Work, Micamoca, Berlin
Lunar Distance, kuratiert von Suzanne Wallinga, De Hallen Haarlem, Haarlem
Warsaw in Construction, curated by Sebastion Cichocki, Ana Janevski und Tomasz Fudala, Warsaw Museum of Modern Art, Warsaw
Cultural Memories/Récits Parallèls, curated by Clément Dirié, In Situ/Fabienne Leclerc, Paris
Ein Paar Linker Schuhe, Reality Check In East Europe, curated by Tihomir Milovac, Kunstmuseum Bochum, Bochum
Modern Ruins, Kate MacGarry, London
Shadows of Forgotten Ancestors, Cosmic Galerie, Paris
Solaris, kuratiert von Cecilia Alemani, Gio Marconi Gallery, Milan
Down at the Bamboo Club, Picture This, Bristol
From One Thing to Another, curated by Maria Lind, Romanian Cultural Institute, Stockholm
Hidden in Remembrance is the Silent Memory of our Future, curated by Katerina Gregos, Contour - The 4th Video Biennial, Mechelen
Transitland, The Red House, Sofia
2008
Eyes Wide Open, Stedelijk Museum, Amsterdam
Cohabitation, Galleria Francesca Kaufmann, Milan
Mobile Archive, Halle für Kunst e.V. Lüneburg, Lüneburg
Italia Italie Italien Italy wlochy, curated by Alessandro Rabottini, Giotto del Vecchio, Elena Lydia Scipioni and Andrea Voliani, ARCOS- Sannio Contemporary Art Museum, Benevento
When Things Cast No Shadow, curated by Elena Filipovic und Adam Szymczyk, 5th Berlin Biennial, Berlin
Lost Worlds - An archeology of future, Centre d’Art Bastille, Grenoble
Wasteland, curated by Kata Oltai, Pecs
Modern Ruins, Queensland Art Gallery, Queensland
That's Not How I Remember It, Anna Helwing Gallery, Los Angeles
Something and Something Else, Museum van Bommel van Dam, Venlo
Behind, curated by Ilaria Gianni, Monitor Gallery, Rome
Other Certanties, kuratiert von Summer Guthery und Amy Owen, NYCAMS, New York
Zero Gravity, curated by Vessela Nozharova und Bettina Steinbrügge, CCA, Plovdiv
Try again, fail again, fail better, curated by Hajnalka Somogyi, Mucsarnok Kunsthalle, Budapest
Rendez-vous nowhere, kuratiert von Beatriz Herraez, Vitoria-Gasteiz, Montehermoso Cultural Center, Montehermoso
Can art do more?, kuratiert von Ami Barak und Bernard Blistene, 5th Art Focus Jerusalem, Jerusalem
Restaging the Past/Dialogue Baltic-Balkans, Muzeum Narodowe w Szczecin, Szczecin
The Violet Hour, curated by Sara Krajewski, Henry Art Gallery, Seattle WA (with Matthew Day Jackson and Jen Liu)
2007
Magellanic Cloud, curated by Joanna Mytkowska, Centre Pompidou, Paris
Elephant Cemetery, curated by Christian Rattemeyer, Artist Space, New York
Der Prozess, curated by Marco Scotini, Prague Biennial 3, Prague
Ground Lost, curated by WHW, Forum Stadtpark, Graz
Verbalno vokalno, curated by Lala Rascic,Galerija SC, Zagreb
Inbetweeness, curated by Dobrila Denegri und Ludovico Pratesi, Complesso di San Michele a Ripa, Rome
Ground Lost, curated by WHW, Gallery Nova, Zagreb
On Lost Worlds, curated by Charlotte Laubard, CAPC musée d’art contemporain, Bordeaux
Artist in the Wonderland, curated by Agata Rogos, Nadbałtyckie Centrum Kultury, Gdanks
42th Zagreb Salon, HDLU, Zagreb
Made in, curated by Marcus Lutkemeyer, Schloss Ringerberg, Ringerberg
The Line of Time and The Plane of Now, curated by Ohad Meromi, Harris Lieberman, New York
Kapitaler Glanz, curated by Vanessa Joan Mueller, Kunstverein Düsseldorf, Dusseldorf
Stalking with Stories, curated by Antonia Majaca and Ivana Bago, apexart, New York
Nature & Society:Parallel Lines, Gliptoteque of the Academy of Sciences and Arts, Zagreb; Muzej Rupe, Dubrovnik
Art Protects, Yvon Lambert, Paris
All Dressed-up with Nowhere to Go, curated by WHW, tranzitdisplay, Prague
2006
Contemporary Surrealists, curated by Branko Franceschi, Mali salon, Rijeka
New Ghost Entertaiment-Entitled, curated by Katrin Pesch, Kunsthaus Dresden, Dresden
Art is always somewhere else, 2nd Biennial of Young Artists, Bukarest
47th October Art Salon, curated by René Block, Belgrade
Everywhere, Busan Biennale 06, curated by Manu Park, Busan
Ideal City-Invisible Cities, curated by Sabrina van der Ley und Markus Richter, Potsdam and Zamosc
Downloads from Future, curated by Oliver Kielmayer, Kunsthalle Winterthur, Winterthur
Monuments to Nikola Tesla, curated by WHW, Gallery Nova, Zagreb
Phantom, curated by Soren Andresen und Jasper Rasmussen, Charlottenborg, Kopenhagen
Modern Lovers, curated by Pil und Galia Kollectiv, Three Colts Gallery, London
Downloads from Future, curated by Oliver Kielmayer, Townhouse Gallery, Kairo
Mercury in Retrograde, De Appel, Amsterdam
Again for tomorrow, Royal College of Art, London
Interrupted Histories, curated by Zdenka Badovinec, Gallery of Modern Art, Ljubljana
A picture of war is not war, Wilkinson Gallery, London
Wild man in the Looking Glass, Art 2102, Los Angeles
Synergy, 40th Zagreb Salon, Zagreb
2005
Mixed Pickles, K3 Project Space, Zurich
Go Inside, kuratiert von Hou Hanru, Tirana Biennale 3, Tirana
Insert, Retrospective of Croatian Video Art, Museum of Contemporary Art, Zagreb
Snapshot, Museum of Modern Art, Dubrovnik
Istanbul Biennial 9, curated by Charles Esche und Vasif Kortun, Istanbul
Present Perfect, T293, Naples
Artists Books, curated by Lionel Bovier, Art 36 Basel, Basel
International Biennial of Contemporary Art, National Gallery, Prag
Joan Jonas, curated by Caroline Bourgeois, Le Plateau – Frac Ile-de-France, Paris
The Imaginary Number, curated by Anselm Franke, KW Institute for Contemporary Art, Berlin
Telegram, Rosa Barba Studio, Amsterdam
Linear Structures, Riga Gallery, Riga
Annet Gelink Gallery, Amsterdam
Fin de siecle, end of painting?, The Croatian Fine Arts Centre, curated by von Zdenko Rus, Zagreb
2004
Love it or leave it, Cetinje Biennial 5, curated by René Block und Natasa Ilic, Cetinje
Exhibition of Nature and Society, curated by WHW, Exit Gallery, Peja
Normalisation, Nova Gallery, Zagreb
Painting and Object, Museum of Modern Art, Dubrovnik
Open studios, Rijksakademie van beeldende kunsten, Amsterdam
2003
Emerging Artists, curated by Natasa Ivancevic, Museum of Modern and Contemporary Art, Rijeka
Dislocation, Town Museum of Zagreb, Zagreb
Open studios, Rijksakademie van de beeldende kunsten, Amsterdam
2002
36th Zagreb Salon, curated by Andrej Medved, Zagreb
Slow Watching, Casal Balaguer, Palma de Mallorca
Start, curated by WHW, Mestna Gallery, Lubjiljana
Filip Trade Collection of Contemporary Croatian Art, curated by Zvonko Makovic, Manes Gallery, Prague
Here Tomorrow, Museum of Contemporary Art, curated by Roxana Marcoci, Museum of Contemporary Art, Zagreb
Space and Walls, curated by Branko Franceschi, Mali Salon, Rijeka
16th Blue Salon, Zadar
2001
26th Salon of Young Artists, curated by Jurij Krpan, Michal Kolocek und Slaven Tolj, Zagreb
2nd Salon of Young Artists, Sisak
2000
4th International Student Biennial, Skopje
SC Gallery, curated by David Maljkovic, Zagreb
New Beginning, curated by Marijan Crtalic, SC Club, Zagreb
Filodrammatica, curated by David Maljkovic, Rijeka
Millenium, curated by Zeljko Jerman, Geto Gallery, Split
Vice – chancel prize, Vladimir Nazor Gallery, Zagreb
1999
2nd Croatian Triennial of Drawings, Zagreb
1998
Ars Futura, Matrix Croatica, Trieste
Exhibition of Young Artists, Kortil Gallery, Rijeka
Otok Gallery, kuratiert von Zarko Violic, Dubrovnik
1995
The Day of Planet Earth, Pedestrian Underpass, Rijeka
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