Foto: Amedeo Benestante. Courtesy Fondazione Morra Greco
Fondazione Morra Greco, Neapel
—
Peter Fend
Lavoro per Natura Vivente, non solo Capitali
Fondazione Morra Greco is proud to present Lavoro per Natura Vivente, non solo Capitali dedicated to american artist Peter Fend, curated by Massimiliano Scuderi.
The project is the culmination of two residencies the artist completed at Fondazione Morra Greco throughout 2024: for the occasion, Fend has had the chance to create never-before-seen works while interacting vigorously with the lively cultural context of both the city of Naples and the Campania region.
The curator’s word
Peter Fend’s research begins in the late 1970s, focusing mainly on planetary survival. Embarking on different work trajectories, he found major correspondences with Leon Battista Alberti’s four books of architecture for a better improvement of the technology of a city (or any inhabited area),the quality of its air, water, circulatory space and defense.
The notion underlying his comprehensive work stems from the idea that the world is a living construction site, where the tools of contemporary art can prove fruitful in the development of natural resources. Fend seeks to adopt concrete solutions that can respond to the environmental problems that plague the Planet, well beyond the art system.
In the 1980s Fend founded, along with artists and activists from a wide range of backgrounds, the organization Ocean Earth. The organization was conceived as a means to fully implement the goals of the environmental art movement, directly built on the ideas of artists such as Joseph Beuys, Robert Smithson and Gordon Matta-Clark. Specifically, Ocean Earth is concerned with researching alternative energy sources through the use of satellite imagery, beneficial to the analysis of global hotspots – both ecological and geopolitical.
Throughout his career, Fend has also dealt with watersheds around the world in order to save them from pollution. His work, in many such cases, consists in surveying and monitoring the condition of basins using maps and satellite images, while also collecting materials and substances through special instrumentation designed by fend himself to grow giant algae. The projects and all the resulting operations – aimed at the production of fuels with low environmental impact such as methane and hydrogen,, as well as other alternative energy sources – also result in economic and socio-political spillover effects on the local communities, as they induce the development of new, autonomous communities and production centers, capable of generating sources of self-sufficient income and employment.
Fend is particularly fond of Italy, where he has carried out multiple works on exploiting the potential of the sea and hydrological basins. According to the artist, Italy and all the countries bordering the Mediterranean and the Oceans can benefit greatly from water.
Peter Fend’s research has always touched on issues that are paramount to pay close attention to, today more than ever. From an organic perspective, Peter Fend points us to a “return to the sea, to the river” as the rebirth of civilization.
Biografie
Ausgewählte Einzel- und Gemeinschaftsausstellungen
2025
Lavoro per Natura Vivente, non solo Capitali, Fondazione Morra Greco, Neapel
2023
WOR(L)DS, Fondazione Zimei, Rom (mit Bob + Roberta Smith)
James Bond Runs The Art World, The Wig, Berlin
2021
VIEL MEHR INSEKTEN, VOEGEL U. WILDTIERE IM WASSER EURAFRIKA VERBINDET LOESUNGEN BAUEN AUF ARCHITEKT, Georg Kargl BOX, Wien
2020
Birds Reign, Barbara Weiss, Berlin
2019
Africa Arctic Flyaway, Musei Nivola, Orani
2018
HACE SENTIDO / MAKES SENSE, Embajada, San Juan PR
Costa Verso Costa, Pinksummer, Palermo
2017
Shadow Cabinet: A Loyal Opposition Response, Cuchifritos Gallery + Project Space, New York
2015
to be built, Galerie Barbara Weiss, Berlin
AFRIKA EUROPA BRÜCKE, Oracle, Berlin
2014
REBELS ARE REASONABLE, ESSEX STREET, New York
Lomonosov Furthered, with Shane Munro, LISTZ, Berlin
2012
Über die Grenze: May Not Be Seen Or Read Or Done, ESSEX STREET, New York
WHAT TO DO NEXT, Peanut Underground Art Projects, New York
2011
“Arab Springs”/ Atlantic Wealth: Trading Room, White Box / MA.P.S, New York
Ricchezza D’Italia, Galeria Cesare Manzo, Pescara
2010
Situation Room, 391 Victoria Street, Hamilton NZ
2009
Situation Room: Technology Change Climate Stability, Arnolfini, Bristol
2008
Peter Fend & Friends „Beach Party“, Maurus Gmür, Berlin
This is the Gallery and the Gallery is Many Things, Eastside Projects, Birmingham
2007
Bet And Win: Way Out Too, Unit 2, London
Elbegas, gflk - Galerie für Landschaftskunst, Hamburg
2005
Parallelprojekte Vorschläge für Condoleezza Rice, Galerie Nagel, Berlin
2004
Reverse Global Warming, Spacex, Exeter, UK
One to another (global policy proposal), American Fine Arts, NY
Independence from Big Oil, public art project, Dublin
2003
Proposals for Arabia, Galería Marta Cervera, Madrid
2002
Global Gas 7 Super Gas, Ocean Earth vis-à-vis Superflex,Kunstruimte Wagemans, Niederlande
2001
Naval Action, Mars Gallery, Tokyo
Big Deal: Revival of the Americas, Nikolai Fine Art, NY
Sea Change, Spacex Gallery, Exeter
Ocean Earth: Policy Models, Rockford Art Museum, Rockford
Economic Potential, Roger Smith Gallery, New York
2000
EURAFRICA/AMERICAS/MONDO, Galeria Marta Cervera, Madrid
NEWS ROOM NEW YORK, Roger Smith Gallery, New York
Global Warming: A Rapid Response Remark, Nikolai Fine Art, New York
Chase Scene, American Fine Arts, New York
NEWS ROOM GRAZ, Kunst und Neue Medien, Graz
Chernobyl Solutions, Steffany Martz, New York
Landkraft/Swiss Split, Ars Futura, Zürich
Landkraft, Künstlerhaus Thurn & Taxis, Bregenz
Architecture for the 21st Century, Artspace, Sydney
Eurasian Scenario, Marc Jancou Gallery, London
Startbahn Österreich, Galerie Metropol, Wien
Global Spiral, Installation at Global Forum, Manchester
NEWS ROOM COPENHAGEN, with Globe, Kopenhagen
Ocean Earth, Strauss & Adamopolous, Frankfurt
1993
Strategie Globale, FRAC Poitou-Charentes, Angouleme, Frankreich
Habitus, Galerie Anne de Villepoix, Paris
OCEAN EARTH: FOR A WORLD WHICH WORKS, Neue Galerie, Graz
1992
Site Simulator/Tivat Bay, American Fine Arts, New York
Beach Party Deutschland, Galerie Esther Schipper, Köln
Beach Party Yugoslavia, Riverside Studios, London
Room Spin/Espace Circulant, Galerie Roger Pailhas, Paris
Means to Wealth/Mittel zum Wohlstand, Galerie Tanja Grunert, Köln
1991
Europa, Kunstraum Daxer, München
NEWS ROOM STOCKHOLM, Galerie Nordanstad-Skarstedt, Stockholm
Beach Party, American Fine Arts, New York
Salle du Monde, langzeitige Installation bei Hopital Éphémère, Paris
1990
City of the Dead/Die Totenstadt, Galerie Tanja Grunert, Köln
Cities as Bodies/Städte als Körper, Galerie Esther Schipper, Köln
NEWS ROOM FRANKFURT, Institut für Neue Medien/Pavillon Varisella, Frankfurt
NEWS ROOM NEW YORK/NEWS ROOM AMSTERDAM, American Fine Art, New York and Museum Fodor, Amsterdam
Progetto Adriatico, Le Case d’Arte, Mailand
Kleine Fragen, Galerie Christian Nagel, Köln
Einheiten, Galerie Ryszard Varisella, Frankfurt
1989
Completion of War, American Fine Arts, New York
1988
BODY, American Fine Arts, New York
Scott Hanson Gallery, New York
1985
Bacino Torbido, Museo Santa Barbara, Calabria
1982
Art of the State, The Kitchen, New York
Space force in Action, Kunsthalle Düsseldorf, Düsseldorf
1979
IRON LUNG: AROOM DEFIN EDNOT BYITS WALLS BUTBY APUMP, Peter Nadin Gallery, New York
World Space: Political Economies After Oil, Peter Nadin Gallery, New York
Ausgewählte Einzelausstellungen
2023
1,5 Grad, Kunsthalle Mannheim, Mannheim
2022
the state I am in, Capitain Petzel, Berlin
Conditions and Frameworks: Infrastructure as Medium and Form, Exhibit Galerie, Wien
2021
The Ocean, Bergen Kunsthall, Bergen
An Incomplete & Unreliable Guide to Social Media War Room, kuratiert von Valentinas Klimašauskas, Georg Kargl Fine Arts, Wien
2020
Potential Worlds 2: Eco-Fictions, Migros Museum für Gegenwartskunst, Zürich
MANIFESTA 13 MARSEILLE The European Nomadic Biennial
in the ever-changing world in which we live..., The Storefront, Bellport
Politiche della Natura_Masters, MAAB Gallery, Mailand
Critical Zones, ZKM Center for Art and Media, Karlsruhe
Excerpts: Works from the Marjorie Barrick Museum of Art Collections, Marjorie Barrick Museum of Art, University of Nevada, Las Vegas
2019
Balticana, CCS Bard Hessel Museum, New York, USA
RESET, Kai Matsumiya, New York
Unfolded Matters, Georg Kargl Fine Arts, Wien
2018
Unthought Environments, The Renaissance Society, Chicago
Don Quixote, Galerie Barbara Weiss, Berlin
The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983 - 2004), CCS
Bard Hessel Museum, New York
Second Yinchuan Biennale 'Starting from the Desert. Ecologies on the Edge', Museum of Contemporary Art Yinchuan, Yinchuan
2017
EUtopia | 28, Museumcultuur Strombeek/Gent, Strombeek
Tomorrow Will Still Be Ours, Gavin Brown’s enterprise, New York
Aubades. Land Art for Aliens, Weiss Falk, Basel
Water Worlds #1, Centre international d'art et du paysage, Beaumont-du-Lac
Earth Day, Ramiken Crucible, New York
Blue Crush, DEPART Foundation, Los Angeles
Sea Sick in Paradise, DEPART Foundation, Malibu
The Extractive Machine, PAV Parco Arte Vivente, Turin
The Ocean After Nature,The Hugh Lane, Dublin
2016
WHERE ARE WE NOW? Raumproduktion, territoriale Grenzen, Migration und transnationale
Fluchtbewegungen in der bildenden Kunst, FRANZ JOSEFS KAI 3, Wien
PIECE OF WATER: Jahresausstellung des Kunstvereins Göppingen e.V., Kunsthalle Göppingen
GLOBAL TERROR "LUTZ BRAUN, PETER FEND, THOMAS KILPPER, MARTHA ROSLER,
CHRISTINE WANG, GANG ZHAO",Galerie Nagel Draxler, Berlin
2015
Territories: Alighiero e Boetti and Peter Fend, Le Case D'Arte, Mailand
Globale – Exo-Evolution, ZKM, Karlsruhe
The Fountainhead, Fondazione Zimei, Pescara
to expose, to show, to demonstrate, to inform, to offer: Artistic Practices around 1990, Mumok, Wien
2050. A Brief History of the Future, Royal Museums of Fine Arts, Brussels, Belgium
travelling to, Palazzo Reale, Mailand
Dojima River Biennale 2015: Take Me To The River - currents of the contemporary, Dojima River Forum, Osaka
Anthems for the Mother Earth Goddess, Andrew Edlin Gallery
Drawings | Fridges, Greene Exhibitions, Los Angeles
DUMP! Multispecies Making and Unmaking, Kunsthal Aarhus, Aarhus
Decolonized Skies, organisiert von High&Low Bureau, ADN Platform, Barcelona
For Troedsson Villa, kuratiert von Tam Ochiai und Anne Eastman, Troedsson Villa, Nikko
ECO-TAX, Cannonball and Dimensions Variable, Miami
Looking Back / The 9th White Columns Annual, selected by Cleopatra's, White Columns, New York
Hollywood Hills House, curated by Pierre-Alexandre Mateos and Charles Teyssou, ltd los angeles, Los Angeles
Landschaft: Transformation einer Idee: Kunst von 1800 bis heute aus der Sammlung der Neuen Galerie Graz, Neue Galerie Graz
2014
WORK IT OUT, MOMENTA ART Brooklyn, New York
2013
Yes Naturally. How art saves the world, Gemeentemuseum Den Haag & GEM-Museum for Contemporary Art, Den Haag
Looking Back / The 7th White Columns Annual, The White Columns, New York
2012
Curated By_Vienna 2012: Art of Life, Aesthetics and Biopolitics, Curated By_Thomas Locher: Von Zeichen und Körpern, Georg Kargl Fine Arts, Wien
2011
Wallmart, White Box, New York
Moderne: Selbstmord der Kunst, Neue Galerie Graz, Austria
MAPPA MUNDI, Berardo Museum – Collection of Modern and Contemporary Art, Lissabon
2010
Modèles modèles 2, Mamco – Musée d’art moderne et contemporain, Genf
Logiques, MAMCO, Genf
2009
As If Words Meant Nothing, Galerie Christian Nagel, Berlin
Island Ghettos, Über territoriale Segregation in Städten des 21. Jahrhunderts, Neuen
Gesellschaft für Bildende Kunst e.V., Berlin, Kunstraum Kreuzberg/Bethanien
Unbuilt Roads, e-flux, New York
2008
Islands+Ghettos / Phase III, Heidelberger Kunstverein, Heidelberg
Gletscherdämmerung – Klimawandel und die Folgen, ERES-Stiftung München, München
2007
Green Dreams, Kunstverein Wolfsburg
Still Live, Sharjah Biennial 8, Ecology & the Politics of Change
2006
Wörterbuch des Krieges/steirischer herbst 2006, steirischer herbst, Graz
I still love the 20th Century, Georg Kargl Fine Arts, Wien
2004
Utopia Station, Haus der Kunst, München
Mirage, Alexander&Bonin , New York
Modeles modeles, Mamco Genf
From Above, Georg Kargl Fine Arts, Wien
Election, American Fine Arts, Co. Colin de Land Fine Art, New York (organisiert von James Meyer)
Utopia Station, Haus der Kunst, München
handlungsanweisungen - Kunstpfad am Karlsplatz Kunsthalle Wien
Attack, Kunsthalle Wien
Metabolismus und Kommunikation MediaLab Madrid
bankett ZKM, Karlsruhe
3 Städte / LEVIATHAN Kunsthalle Düsseldorf
bankett Palau de la Virreina, Barcelona
Hardcore; Persian Gulf/Gulf of California Parallel Projects, GPS, Palais de Tokyo, Paris
Ökonomien der Zeit, migros museum, Zürich
2002
Ökonomien der Zeit, Museum Ludwig, Köln
Ars Electronica, Linz
Ökonomien der Zeit, Akademie der Künste, Berlin
2000
Dystopia, Tribes Gallery, New York
World Trade, Roebling Hall, New York
Carnival in the Eye of the Storm: Korovo, Pacific Northwest College of Art, Portland
1998
Your Utopia, Momenta Art, New York
1997
Venice Biennale, French Pavillon, Venedig
The Experimenters, Lombard-Fried Fine Arts, New York
1996
Atopic Site, Tokyo International Convention Center, organisiert von Tokyo Metropoolitan Government, Tokyo
Art meets Science, in Zusammenarbeit mit „Copenhagen, European City of Culture“, Charlottenburg, Kopenhagen
1995
Venice Biennale, Aperto, Venedig
Mapping: A Response to MoMA, American Fine Arts, New York
Glaube, Hoffnung, Liebe, Tod, Kunsthalle Wien, Wien
Photography After Photography, Siemens Kulturprogramm, München
Infrasound, Kunst im öffentlichen Raum, Hamburg
Cloaca Maxima, Stadtentwasserung, Zurich, Switzerland
1993
Venice Biennale, Aperto, Venice, Italien
Fontanelle, Potsdam, Deutschland
Kontext Kunst, Neue Galerie am Landesmuseum Joanneum Graz, Österreich
Kunst in Weltmassstab, Kunsthalle zu Kiel, Kiel, Deutschland
The Edge of Chaos: New Ways of Seeing, Lousiana Museum for Modern Art, Humlebaek, Dänemark
Viennese Story, Wiener Secession, Wien
Dumenta IX, Kassel, Deutschland
Floriade, The Hague, Niederlande
Corse Divise, Assemblée Nationale Paris, Frankreich
Documatter, Andrea Rosen Gallery, New York
Reconnaissance, Simon Watson Gallery, New York
Nippon International Contemporary Art Fair, Yokohama, Japan
Teorici Americani, Otttagano, Milan, Italien
The Köln Show, multi-gallery exhibiton, Köln, Deutschland
California Projekt, Terrain Gallery, San Francisco, Kalifornien
Art at the End of the Social, Rooseum, Malmö, Schweden
Jet Lag, Turon Travel, New York
The New Poverty II, Meyers Bloom Gallery, Los Angeles, Kalifornien
International Landscape, Galerie XPO, Hamburg and Galerie Christoph Duerr, München, Deutschland
Computer Images of Architecture, NY Chapter, American Institute of Architects, New York Competition Diomede, The Clocktower, New York
Kunstrai, Amsterdam, Niederlande
1987
Documenta VIII, Kassel, Deutschland, Attributed to Ingo Günther
The New Poverty, John Gibson Gallery, New York
Surveillance, Los Angeles Contemporary Exhibitons, Los Angeles, Kalifornien
1985
German Art 1945 –1985, Nationalgalerie, Berlin, Germany, Attributed to Peter Fend/Ingo Günther
Kunst und Medien, Kunsthalle Berlin, Berlin
Via Satellite, Amerika Haus, Köln
Image/Process, The Kitchen, New York
1984
Show, Ronald Feldman Fine Arts, New York
Natural History, Grace de Borgenicht Gallery, New York
New York/New Wave, P.S. 1, Long Island City, New York
Forrest Avenue Maze, Forrest Avenue School, New York
The Real Estate Show, New York
The Times Square Show, New York
1978
Poetry of Systems, Baxter Art Museum, California Institute of Technology, Pasadena, Kaliforien
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