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My memory isn´t mine

KRUPA Art Foundation, Wroclaw

Group exhibition 

Studio Andreas Fogarasi
November 14, 2024, 5 pm | Zur Spinnerin 43, 1100 Vienna
 

As part of this Get Together, Ukrainian artists and cultural professionals will have the opportunity to visit the studio of Andreas Fogarasi as part of a guided tour, view his works and talk to the artist about his understanding of art and his professional experiences. 

https://at.tranzit.org/en/office_ukraine/0/2024-11-14/studio-visit-and-get-together-with-artist-andreas-fogarasi 

Andreas Fogarasi

Abstract Narratives. A Selection from the Collection of the Central Bank of Hungary (MNB)

Fridman Gallery NYC | 19.10.2024-16.11.2024

Fridman Gallery is honored to present an exhibition of selected works from the collection of the Central Bank of Hungary (Magyar Nemzeti Bank, MNB), many of which are shown in the United States for the first time.

Among the artistic trends of the twentieth century, abstraction is notable for its ability to continually reinvent itself. It has been enriched by various inspirations, from ecology to design, from science to psychology; its transformations follow changes in our living conditions and in our worldview. Moreover, the meaning we end up ascribing to a work of abstract art is also influenced by our knowledge of the local context specific to the artist.

At the beginning of the twentieth century, abstraction ushered in the new era of modernism, reinventing painting and sculpture to break with traditions of representation. In expressing the technological and social changes of the time, it attempted to create a universal language of cross-cultural understanding, yet always carrying within it local connotations. Abstract Narratives focuses on this phenomenon by presenting abstract artists from a specific part of the world, whose unique approaches raise questions concerning historiography and regionality of art. 

The early development of Hungarian abstraction was influenced by artists with international reach, such as László Moholy-Nagy, Lajos Kassák and György Kepes, who emigrated before or soon after the Second World War. After the communist takeover of Hungary in 1948, abstraction was branded imperialist, bourgeois and anti-working-class. In this context, from the 1960s on, abstraction in Hungary (and other Soviet-bloc countries) was not merely a counterpoint to figuration of social realism, but also a symbol of political resistance and freedom of expression. While adopting international stylistic characteristics like gesture and color-field painting, Hungarian abstraction was also searching for its social, architectural and design role in the local visual culture. Rooted in Kassák’s interest in constructivism and the pure compositions of Moholy-Nagy, the abstract movement was connected with pure forms, clear colors, hard edges and surfaces with unseen brushstrokes. 

The 1980s and the fall of the iron curtain opened the door to new experiments. Even so, the “revival” of the genre did not arrive until the first years of the new millennium, when artists developed new ideas, methods and approaches centered on developments in the media, the internet, digital image editing, graphic computer programs and globalism. In Eastern Europe, the generations who witnessed the Second World War, the communist regime, its unexpected end, and the new, wild capitalism of the 1990s, react differently to new global trends and styles than the younger generations. Artists active today express themselves on a new platform, where technical and formal innovations can be easily compared and distributed through public media. But deep inside their forms and ways of expression still lie personal narratives –– keys to understanding their choice of concepts and methods. Abstract Narratives intends to break down rigid borders of judgment, accepting the fact that abstraction is a global language expressing creativity in borderless frames through personal approaches which have historical, theoretical, and, sometimes, ideological backgrounds.

Exhibiting artists: 

Zsófi BARABÁS, Róbert BATYKÓ, Erika FÁBIÁN, István FELSMANN, Ferenc FICZEK, Márk FRIDVALSZKI, Andreas FOGARASI, György GÁSPÁR, Simon HANTAI, Rita KOSZORÚS, Márton NEMES, Dia PINTÉR, Judit REIGL, Anthony VASQUEZ.

The exhibition is organized by MNB Arts and Culture and supported by the Liszt Institute – Hungarian Cultural Center New York.

https://fridmangallery.com/exhibitions/81-abstract-narratives-selected-works-from-the-collection-of-central-bank/

Nedko Solakov

A Cornered (Future) Solo Show #4 

National Gallery Bulgaria | 31.05.2024-12.01.2025

Nedko Solakov, who lives in Sofia, is one of the most renowned artists of his generation. He has an impressive professional biography with over 100 solo exhibitions in illustrious museums across Europe, America, and Asia. He has also had long-standing collaborations with prestigious international galleries and has participated in numerous international biennales such as Istanbul, Sydney, Venice, New Orleans, Tirana, Sharjah, Riga, Kathmandu, Moscow, Seville, Sao Paulo, Yekaterinburg, and Thessaloniki, among others. Additionally, he has been part of group exhibitions curated by visionary curators.

Notably, he is the only artist living in Bulgaria who has represented the country at the Biennale di Venezia and has been also included three times in its main curatorial project. In 2007, he received an “Honorable Mention to an artist exhibited in the central international exhibition” at the 52nd Biennale. Nedko Solakov has also twice participated in the world’s most prestigious contemporary art exhibition, Dokumenta in Kassel.

At the core of Nedko Solakov’s immense success is his art’s ability to resonate with a diverse spectrum of viewers. His stories resonate with all, from sophisticated curators to those who find themselves in museums by chance. His visual language is a dynamic ‘conversation’ between drawing, painting, objects, space, and almost always text – narrative, description, commentary, and word games. His stories themselves are a kind of encyclopedia of the present time – art and artists, nature in all its diversity, current politics, social issues, and the heroes of the day, all woven together by the author with a wealth of emotion and humor, often with self-irony.

The project “A Cornered Solo Show” began back in 2021, when the artist approached directors and chief curators of well-known museums with the request to provide him with an “insignificant” corner in their buildings – a corner that has never been used for exhibitions, but which the public has access to.

So far, three “corners” have been realized in major European museums: #1 at MUDAM – the Grand-Duke Jean Museum of Modern Art in Luxembourg (2021), #2 at MAXXI – the National Museum of Art of the Twenty-First Century in Rome (2022), and at the Belvedere in Vienna, which is hosting the “Cornered Solo Show #3 (with Charles Escher as my artistic conscience),” until June 19 this year.

All three exhibitions, united by an unusual, strange, previously unused corner space, tell completely different stories created specifically for their context.

At the National Gallery, in such a previously unused “new,” albeit obvious and easily accessible space in the Palace, “A Cornered (Future) Solo Show #4” tells the imaginary story of a humble court painter and his friend, a tiny mouse, who are living under the staircase of the palace.

Iaroslava Boubnova, curator of the exhibition.

Media partner: BTA / Bulgarian News Agency

https://nationalgallery.bg/exhibitions/nedko-solakova-cornered-future-solo-show-4/

Nedko Solakov

A Cornered Solo Show #5 

Ludwig Museum Budapest | 17.10.2024-29.6.2025

The Ludwig Museum – Museum of Contemporary Art is thrilled to present Nedko Solakov’s humorous, site-specific installation, located in the museum’s lobby, next to the cloakroom. In this work, Solakov explores the idea of an artist who seeks to view the world from a radically different perspective—literally by turning himself upside down to shift his viewpoint. 

A Cornered Solo Show #5 is being presented in celebration of the museum’s 35th anniversary and the 30th anniversary of Solakov’s solo exhibition, The Collector of Art. The exhibition also marks the Ludwig Foundation's recent acquisition of 12 drawings by Solakov, entitled Correctness (2021). As part of this event, the artist will generously donate A Cornered Solo Show #5 to the museum, along with three additional drawings titled Bad Moves (2023).

About the series 

The project, titled A Cornered Solo Show, began in 2021 when Solakov proposed the directors and curators of leading museums to offer him an “insignificant” corner of their institution—outside of the typical exhibition spaces, yet still accessible to the public. To date, four installations have been staged in major European museums, each uniquely tailored to the specific qualities of the chosen corner: #1 MUDAM – The Contemporary Art Museum of Luxembourg (2021) #2 MAXXI – National Museum of 21st Century Art, Rome (2022) #3 Upper Belvedere, Vienna (2023–2024) #4 National Gallery, The Palace, Sofia (2024)

https://www.ludwigmuseum.hu/en/exhibition/nedko-solakov-cornered-solo-show-5 

Lombardi—Kargl is excited to be part of this year`s edition of Paris Internationale.

17, rue du Faubourg Poissonnière
75009 Paris, Frankreich
 

You will find us on the 3rd floor

October 16 - October 20
VIP Preview: October 15

Artists: David Fesl, Erwin Thorn

https://parisinternationale.com/ 

Agnieszka Polska - The Talking Car 

Spy on Me #5 – Enter: AI | HAU Festival

Hebbel am Ufer, Berlin 

Die fünfte Festivalausgabe von “Spy on Me” gibt verschiedenen Verbindungen zwischen Künstlicher Intelligenz (KI) mit dem Menschen eine Bühne. Trotz oder gerade wegen des apokalyptisch geführten Diskurses über KI lohnt es sich, darüber nachzudenken und herauszufinden, was wir (noch) in der Hand haben, um unsere Beziehung zur Technologie aktiv zu gestalten.

Die international eingeladenen Künstler*Innen suchen nach körperlichen und verbalen Ausdrucksmöglichkeiten für mathematische Prozesse, die den KI-Systemen zu Grunde liegen. Dabei betreten KIs sowohl sichtbar als auch unsichtbar die Bühne. Sie setzen sich in Beziehung mit dem Publikum und es entstehen gemeinsame Sprachen und Räume. So präsentieren die Künstler*innen performative Übersetzungen für die Kommunikation mit Technologie, immer im Bewusstsein der Leerstellen und Gefahren, die damit einhergehen. Es entsteht ein Austausch zwischen Mensch und Maschine, der die Technologie für das Publikum zugänglich macht. Eine Strategie, die wir auch in unserem KI-gestützten Alltag erfahren.

Mit: Lena Biresch & Nico Parisius, Constanza Carvajal, dgtl fmnsm, doublelucky productions, Choy Ka Fai, Sarah Fartuun Heinze, Clara Herrmann, Interrobang, Johannes J. Jaruraak alias “Hungry”, Janne Kummer & collaborators, Rik Lander & Phil D Hall, NewfrontEars, Agnieszka Polska, Theresa Reiwer, Thomas Ryckewaert, Sebastian Schneider, Agrupación Señor Serrano, Claudix Vanesix, Nora Wölfing

Programm:  https://www.hebbel-am-ufer.de/programm/spielplan-tickets 

https://www.hebbel-am-ufer.de/programm/festivals-projekte/spy-on-me-5 

Coal
HOAST, Vienna
Solo exhibition

Opening: October 18, 7pm

The process of reading music relies on a structure that materializes the experience of listening. Musical notation serves this role, where lines and spaces symbolize different notes. The instrument becomes both the interpreter and transmitter of this intricate mental creation.

Since 2015, Camila Sposati has created instruments that invert this process, where the sound itself becomes the instrument. These works have been exhibited in venues such as Kunsthalle Wien, the Museum für Angewandte Kunst (MAK), and Lombardi Kargl.

Her piece Coal Score, shown at HOAST, reflects the materialization of sound and its material source—coal. By altering the traditional rules of musical composition, Sposati preserves the essence of sound while exploring how imagination can shape it. Her work invites reflection on coal as a natural resource and the challenges of energy distribution.

https://www.hoast.net/hoast/october-19-november-3-2024-camila-sposati-coal-score/ 

Nedko Solakov

Counter/Surveillance: Control Privacy Agency

Wende Museum, Culver City, USA | 13.10.2024-19.10.2025

In recent decades, technological advances have supercharged surveillance. Online, personal data are automatically collected and analyzed on a mass scale. Algorithms watch, listen, track, and identify people, complementing and sometimes replacing human eyes and ears. Powerful combinations of surveillance software and hardware, such as surveillance cameras outfitted with real-time facial recognition, are conquering public spaces. These technologies are often misleadingly presented as though they were pure innovation and have no history.

Artists: Asya Dodina, Berlin collective, Graham Fink, Gerhard Lang, Paolo Cirio, Robert Rehfeldt, Xu Bing, Verena Kyselka, Nedko Solakov, Damara Ingles, Ken Gonzales-Day, Ruth Wolf-Rehfeldt, Yang Jian, Decebal Scriba, Liat Segal, Sadie Barnette, Yazan Khalili, Franisco Masó, Slava Polishchuk 

https://www.mutualart.com/Exhibition/Counter-Surveillance--Control--Privacy--/49B34B2C36A18812 

curated by Kate Sutton

You You

Opening Days: 13.9. & 14.9. | 12pm - 7pm 

Exhibition: 17.9.-19.10. 

Tuesday - Friday 12pm - 6pm

Saturday 12pm - 4pm 

Artists: Gabriele Beveridge, Tenzing Dakpa, Katrina Daschner, David Fesl, Doris Guo, Vlatka Horvat, Ketty La Rocca, Mario Mu, Mercedes Mangrané, Rosa Rendl

“you you” tends to jam the visual and mental process
and to reduce language to simple “bits” of information
and make immediately clear the asymptote of alienation
“you” also means i, i have no alternatives, i save myself in my own hysteria, with the unrepeatable gesture of writing myself by hand

- “You You,” Ketty La Rocca, 1972

In one of her poesia visiva from 1972, artist Ketty La Rocca set forth a kind of mission statement for the work she would develop in the decade to come, executing a simple, but effective violence on the linguistic structures that determined her environment. In You You, a ten-part work from the same year as the poem, the artist juxtaposed photocopies of hands and their “reductions,” abstracted contours of the mechanically produced images. She then labeled multiple regions of this imperfect cartography “You” in a willful act of both alienation and inclusion. 

This work serves as the point of departure for this group exhibition, organized by Kate Sutton as part of the CuratedBy festival. In the impulse essay for this year’s edition, Nuit Banai embraces the partiality of archives as “both a condition for violence and an impulse for hope.” As a theme, “Untold Narratives” encourages a correction of the increasing polarity of our times by opening the field to new voices. However, to truly counter this partiality, we must recognize that these biases also determine what is considered legible. In other words, some narratives have remained “untold” not just because of who is telling them or under what circumstances, but because we have not been trained to recognize them as narratives. 

The artists gathered in the exhibition You You follow La Rocca’s lead in proposing idiosyncratic means for assembling or interpreting archives of their everyday experiences, allowing form and technique to open up new methods for conveying information. For artists like Tenzing Dakpa, whose photographs document life in his family’s hotel, this is a question of playing against visual expectations. For others, like Gabriele Beveridge, Rosa Rendl or David Fesl, it is a matter of offering alternative interpretations of common objects. Mario Mu and Doris Guo experiment with the technologies of image-making, from drones to home-made projectors. Mercedes Mangrané recasts intimate and seemingly incidental moments through watercolor and oil on canvas, while Vlatka Horvat and Katrina Daschner offer a witty rescripting of the world around them through collage and assemblage. Together these works introduce tiny frictions into the gallery space, conjuring the “asymptote of alienation”—an estrangement that is simultaneously an affirmation—that La Rocca mentions in her poem.

Kate Sutton

Agnieszka Polska – Flowers on the Sun

21 Sep 2024 - 12 Jan 2025

The first solo exhibition of Berlin-based Polish artist Agnieszka Polska in Belgium, Flowers on the Sun, features a selection of recent works, including her latest film, The Book of Flowers (2023), created with the assistance of AI-powered tools. The artist initially used stop-motion animation footage of flowers from the 1950s, which was then transformed into AI-generated imagery.

Based on speculative scenarios blended with elements of science fiction, the exhibition highlights issues related to the relationship of humans, non-humans and technology, posing urgent questions about our perception of time and history. Braudel’s Clock ongoing series reflects on the idea of unified time as a social construct, and the world as a complex set of structures evolving at various speeds. In her work Polska also reflects on the individual’s position in the contemporary world.

During her art studies, Agnieszka Polska began creating animations using traditional techniques such as glass table animation. Later, she developed an interest in digital animation and the immersive qualities of the images she creates. Various storytelling formats are crucial to her films. She explores these narratives not only in video works but also in other mediums such as feature film and theater performance. These different forms naturally extend her artistic practice.

For a while, she was interested in the speculative history of avant-garde movements, but now she tends to draw upon stories and inspirations related to planetary socio-technological systems, global changes and contemporary crises. Her influences include visual culture and science fiction works by authors such as Stanisław Lem, Ursula K. Le Guin, and Brian Catling, among others.

Imagination plays a significant role in Agnieszka Polska’s work. Her creations, which blend the realism of images with phantasmagorical visions, often result in a humorous mix of irony and melancholy. The aesthetics of documentary merge with fiction in her films. Polska creates her works with meticulous attention to detail, consciously shaping the structure of her films. She writes scripts with the cinematic gaze and viewer engagement in mind, making the audience an integral part of the experience. Alongside the sophisticated and highly refined visuals, the sound design and the hypnotic voice of the narrator play crucial roles. In The New Sun (2017), a star with the face of a child engages in an emotional monologue with the viewer.

In her recent projects, she hints at a future of filmmaking that may shift towards world-building rather than traditional storytelling.

https://www.muhka.be/en/exhibitions/agnieszka-polska-flowers-on-the-sun/

Lombardi—Kargl is excited to host: 

Expert*innengespräch: Künstlerische Vor- und Nachlässe

19.09.2024 | 6 pm 

Klaus Speidel (philosopher, critic, University of Applied Arts Vienna) in conversation with Katrina Daschner (artist). Moderated by Lisa Moravec.

https://curatedby.at/event/37 

Lombardi—Kargl is excited to be part of this year`s edition of Vienna Contemporary. 

September 12 - September 19 

Messe Wien Halle D 

Booth C07

get your Tickets here

Artists: Jakob Lena Knebl, Agnieszka Polska, Camila Sposati, Katrina Daschner, Mladen Bizumic, Andreas Fogarasi

Nós — Arte & Ciência por Mulheres

Sesc Interlagos, São Paulo

August 22., 2024 - March 30., 2025

From August 22, 2024 to March 30, 2025, Sesc Interlagos will host the exhibition "We - Art & Science by Women", which highlights the trajectory of women as producers and maintainers of knowledge in the scientific, intellectual and artistic fields.
The exhibition covers historical scenarios ranging from ancestral wisdom to the growing presence of women in scientific institutions. The narrative reveals women's ongoing struggle for a more equal society, where everyone has full access to political, economic and social rights.
The exhibition features accessibility resources, such as scripts and videos with audio description and video-libras.

"Nós - Arte & Ciência por Mulheres" (We - Art & Science for Women) is organized by Sesc São Paulo, conceived by Estúdio M'Baraká, and has the support of collections from USP's Zoology Museum, the Indian Museum (FUNAI), the Earth Sciences Museum / CPRM, the Butantan Institute and documentation from institutions such as Fiocruz, the National Museum, the Roberto Burle Marx Site and the National Library, among others.

Reversed Objects 

1.9.2024 - 5.1.2025 | Ludwig Múzeum, Budapest

The exhibition Reversed Objects raises a number of questions ranging from the status of objects as either mere things or artworks to the functioning of art institutions, while touching on various themes and disciplines. Some of these questions may sound rather banal. American art philosopher Arthur C. Danto analyses the following problem: if one enters a room full of objects, can one tell at a glance which are works of art and which are mere real things? Danto argues that even if we do not necessarily have a precise definition of what art is, we are able to tell artworks from everyday objects. 

Artists: ALBERT Ádám, BAKOS Gábor, Julie BÉNA, BP. SZABÓ György, BRÜCKNER János, BUCZKÓ Bence, BUKTA Imre, Tony CRAGG, CSUTOROS Sándor, Anna DAUČÍKOVÁ, EL-HASSAN Róza, EMBER Sári, FEKETE Balázs, Jakup FERRI, GÁDOR Magda, GRÓF Ferenc, GRUPPO TÖKMAG, GYENES Zsófia, HARIS László, HARSÁNY Patrícia, HAVADTŐY Sámuel, JAKAB Tibor Perkins, JOVÁNOVICS György, KANEUJI Teppei, KEMÉNY György, KESERÜ Ilona, KINDER ALBUM, Krištof KINTERA, KIRÁLY Tamás, KOMÁR Sabrina, KOKESCH Ádám, Denisa LEHOCKÁ, LŐRINCZ Réka, Kim MACCONNEL, Goshka MACUGA, Petra MAITZ, Matthias MEGYERI, Rosalind NASHASHIBI, Anna PERACH, Grayson PERRY, Pablo PICASSO, POLGÁR Rózsa, Laure PROUVOST, PUKLUS Péter, RÁCZ Rebeka, RANDOMROUTINES, Erin M. RILEY, ROSKÓ Gábor, Selma SELMAN, Katarina ŠEVIĆ, Nedko SOLAKOV/Slava NAKOVSKA, Daniel SPOERRI, SUGÁR János, SZABÓ Eszter Ágnes, SZALAY Péter, SZILVITZKY Margit, TARR Hajnalka, THIESZ Angéla és a Retextil Alapítvány Műhely, TÓTH Márton Emil, Rosemarie TROCKEL, ULBERT Ádám, VÁRNAI Gyula, Marion VERBOOM, VESZELY Beáta, Erwin WURM

Curator: TIMÁR Katalin

https://www.ludwigmuseum.hu/en/exhibition/reversed-objects

Delirious Toys

September 8, 2024 - January 5, 2025 | Bundeskunsthalle Bonn

For the 2023 art autumn, the US artist Mark Dion has created a work of art from objects in the toy collection of the Stadtmuseum Berlin, which will first be on display at the Museum Nikolaikirche in Berlin. With hundreds of exhibits, his installations not only transcend space and time, but also take a critical look at children's toys themselves.

For the exhibition, Mark Dion spent months researching the collection of around 70,000 objects, one of the largest in Germany. The result is a kind of labyrinth of board games; a pyramid of animals, a circuit with an imaginary race between vehicles of all kinds and other installations. Dolls, military toys and a “poison cabinet” with borderline or cross-border toys are also on display in the exhibition, which is accompanied by a 36-page brochure (included in the admission price).

Since the late 1980s, Mark Dion has been intensively concerned with the question of how knowledge is created and passed on in museums, always with an alert eye for systems of exploitation and oppression. After all, toys, which are mostly designed by adults for children, always convey ideas about people and their world. In dealing with toys, children practise certain role models, and toys are used to teach them specific themes or ideologies.

Sleep!

24.8.2024 - 5.1.2025

Kunsthalle KAdE, Amersfoort, Niederlande

"Hast du gut geschlafen?" ist eine Frage, die man sich oft stellt. Eine grundlegende Frage, bei der die Antwort des Befragten sofort einen Einblick in die Wachheit, die Stimmung und die Beziehungsfähigkeit der betreffenden Person gibt. Schlaf ist, wie Essen und Trinken, ein Grundbedürfnis des Lebens. Wöchentlich werden Zeitschriften mit Tipps und Tricks für einen erholsamen Schlaf gefüllt, wobei die goldene Regel der Ruhe, Sauberkeit und Regelmäßigkeit als ideale Form der Schlafhygiene immer wieder auftaucht. Ein Drittel der Zeit verbringt der Mensch im Schlaf: eine Situation, in der wir eine Bewusstseinsverminderung erleben, die zu einem Mangel an Kontakt mit der Außenwelt führt. Unser Körper und unser Geist kommen zur Ruhe. Wir geben uns ihm hin, verletzlich und auf uns selbst zurückgeworfen. Warum wir schlafen, ist noch immer ein ungelöstes Rätsel. Zelluläre Reparaturprozesse, Energieerhaltung, Lernen und Aufzeichnung von Erinnerungen sind die drei Hauptpfeiler der derzeitigen Theorien.

WACHEN SCHLAFEN TRÄUMEN WIEDERHOLEN
Die Familienausstellung Schlafen! nimmt Sie mit auf eine kleine Entdeckungsreise in das weite Reich des Schlafs und des Traums, und zwar mit den Augen von rund 50 bildenden Künstlern und Designern. Hier regiert für einen Moment eine andere Zeit. Man durchläuft die vier Schlafstadien vom Schlummer über den Leichtschlaf bis zum Tiefschlaf und (schlaf)wandert über den Traum in die große Halle, wo das Bett im Mittelpunkt steht. Oder Sie machen die Umwege über Schlaf/Wach, denn längst nicht jeder hat einen idealen Schlafzyklus. Stress und Ängste führen oft zu Schlaflosigkeit und Schlafproblemen. Wenn Sie möchten, können Sie einen zweiten Rundgang zu einem zweiten Schlafzyklus machen, bis Sie die Ausstellung hoffentlich völlig erfrischt verlassen!

Künstler*innen: Philip Aguirre Y Otegui (BE) / Anas Albraehe (SY) / Barbora Adamonytė-Keidūnė (LT) / Stéphane Argillet und Gilles Paté (FR) / Carolien Arnold (NL) / Hans van Bentem (NL) / Stijn Ter Braak (NL) / Paul Bogaers (NL) / Harm van den Berg (NL) / Sophie Conroy (UK) / Bekhbaatar Enkhtur (MN) / Martin Fenne (NL) / Giovanni Battista Franco (IT) / Louis Fratino (US) / Lenz Geerk (CH) / Jacques de Gheyn (III) (NL) / Aalt van de Glind (NL) / Daniel Godínez Nivón (MX) / Francisco José de Goya (ES) / Frank Halmans (NL) / Geoffrey Holder (TT / US) / Mona Hatoum (LB) / Sarah Mei Herman (NL) / Teun Hocks (NL) / Li Hui (CN) / Leiko Ikemura (JP) / Saodat Ismailova (UZ) / Carlijn Jacobs (NL) / Pieter Jennes (BE) / Yasmijn Karhof & Merel Karhof (NL) / Carla Kogelman (NL) / Koen Ebeling Koning (NL) / Frank Koolen (NL) / Friedrich Kunath (DE) / Gerard de Lairesse (BE) / Alexandra Leykauf (DE) / Domenico Marchetti (IT) / Tony Matelli (US) / Frans Xaver Messerschmidt (DE) / Hendrik Moolenyzer (NL) / Bernard Picart (FR) / Paul de Reus (NL) / Julika Rudelius (DE) / Tobias Schalken (NL) / Hinke Schreuders (NL) / Sondi (CM | DE) / Ted Spagna (US) / Mladen Stilinović (SV) / Daniel Willem Stoopendaal (NL) / Maurice van Tellingen (NL) / Troika (UK) / Gavin Turk (UK) / Kaari Upson (US) / Utsav Verma (IN) / Marcel van der Vlugt (NL) / Andy Warhol (US) / Willem Weismann (NL) / Lothar Wolleh (DE)

https://www.kunsthalkade.nl/de/ausstellungen/schlafen/ 

Clubs der Zukunft | Clubs of the future

9. - 31. August 

Kunstverein am Rosa-Luxemburg-Platz, Berlin 

CLUBS der ZUKUNFT – Gemeinsame Räume in Übergangsgesellschaften – ist eine Ausstellung an zwei Orten mit einem Vortragsprogramm und Workshops an verschiedenen Standorten rund um den Alexanderplatz im Zentrum Berlins.

CLUBS der ZUKUNFT nimmt gemeinschaftliche Räume weltweit, insbesondere Kulturhäuser in Europa und der DDR, als Ausgangspunkt und eröffnet einen Reflexionsraum zu aktuellen Projekten des Gemeinschaftlichen, des Commoning und der Reform. Das Projekt findet in einer Zeit des Wandels statt, in der kollaborative Praktiken, alternative Ökonomien, neue Netzwerke sowie gemeinsame zivile Räume und Gesellschaften neu erprobt und ausgehandelt werden.

Anlass für das Projekt war eine Recherche über die rund 1800 Kulturhäuser in der ehemaligen DDR, von denen zwei Drittel nach der Wende geschlossen wurden. Bis heute klafft hier eine Lücke, die gerade von rechten Gruppen ausgenutzt wird.

Die Ausstellungen im Kunstverein am Rosa-Luxemburg-Platz und im Haus der Statistik (OTTO-Halle) im Sommer/Herbst 2024 sind raum-zeitlich verschränkt und präsentieren eine erste Sammlung, die in Zukunft am weiteren Orten Osteuropas und der Welt fortlaufend ergänzt und gezeigt werden soll.

Mehrere Ebenen agieren parallel und spannen visuell-poetisch-diskursive Bögen zwischen unterschiedlichen Projekten. Dabei werden Bezüge zu historischen Kulturhäusern in Osteuropa hergestellt, so bei Andreas Fogarasis Projekt Kultur und Freizeit zu Kultur- und Bildungshäuser in Budapest und bei Enlightenment, Culture, Leisure: Houses of Culture in Czechoslovakia von Oskar Helcel & Martin Netočný.

Künstler*innen: Jasmina Al-Qaisi, Chto Delat, CLUBS OF THE FUTURE – Materials, Ilya Dolgov, Berit Fischer, Andreas Fogarasi, Abrie Fourie,Katya Gardea Browne, Oskar Helcel & Martin Netočný, Suza Husse, Dana Kavelina, Sarat Maharaj & Ecke Bonk, Sajan Mani, MITKUNSTZENTRALE, Henrike Naumann, Mikhail Lylov, Andrea Pichl, Elske Rosenfeld, SATELLIT, Åsa Sonjasdotter & Mercè Torres Ràfols, Fetewei Tarekegn, Gitte Villesen, Ming Wong, Ina Wudtke, Anna Zett

Kuratorin: Dorothee Albrecht | Ko-Kurator*innen: Mikhail Lylov, Susanne Prinz | Berater: Prof. Dr. Sarat Maharaj | Programm: Jochen Becker, Suza Husse & Elske Rosenfeld, Mikhail Lylov

https://www.rosa-luxemburg-platz.net/ 

Pop Art. The Brights Side of Life
23. August 2024 – 03. November 2024 

Albertina Klosterneuburg
www.albertina.at 

Mark Dion and Alexis Rockman: Journey to Nature’s Underworld

July 13, 2024 - January 5, 2025 | Tang Teaching Museum & Art Gallery

Mark Dion and Alexis Rockman: Journey to Nature’s Underworld invites visitors on a voyage of discovery into the depths of our threatened natural world through large-scale painted and sculptural works. This exhibition is the first two-person show of these artists, who share an ongoing and urgent concern for our global environmental and ecological well-being.

Curator: Suzanne Ramljak 

https://tang.skidmore.edu/exhibitions/626-mark-dion-and-alexis-rockman-journey-to-nature-s-underworld 

My Last Will

May 25 - September 9, 2024 | Casino Luxembourg

Opening: Friday 24.05.2024, 18:00 – 21:00

In the exhibition and the eponymous artist’s book, My Last Will, 32 contemporary, international artists and artist groups respond to the question “What remains?”. They individually explore their legacy and try, each in their own way, to capture the core of what makes up their goals and interests with a central statement or a paradigmatic work. In doing so, they question their presumed significance for a future they will no longer experience and whose measures of value are still completely unknown to them.

“What remains?” is a question that gains a special topicality against the backdrop of the pandemic and a war in Europe, and the associated change in perspective and values.

The artists’ examination is designed as a free, open-ended experiment. The starting point for the engagement with the question is the artist book My Last Will, in which specially developed text, collage, and image contributions from the participants are collected. Five commissioned works were also created in the context of the exhibition.

Artists: Loukia Alavanou, Lara Almarcegui, Carlos Amorales, Iván Argote, John Bock, Mohamed Bourouissa, Olaf Breuning, Chicks on Speed, Clément Cogitore, Keren Cytter, Marcel Dzama, Hanakam & Schuller, Su Hui-Yu, Mire Lee, Erik van Lieshout, Renzo Martens, MASBEDO, Christodoulos Panayiotou, Cesare Pietroiusti, Agnieszka Polska, PPKK (Schönfeld & Scoufaras), L.A. Raeven, Ricarda Roggan, Santiago Sierra, Shelly Silver, Su-Mei Tse, Raphaela Vogel, Simon Wachsmuth, Clemens von Wedemeyer, Tobias Zielony, Thomas Zipp, Portia Zvavahera

Curators: M + M

https://casino-luxembourg.lu/en/agenda/my-last-will

Exhibition Moments

June 27 – December 29, 2024

curators: Martina Mertová, Martin Fišr, Jakub Frank in cooperation with the curators of the Olomouc Museum of Art: Barbora Kundračíková, Ladislav Daněk, Šárka Belšíková, Štěpánka Bieleszová, Klára Jeništová, Miroslav Kindl, Gina Renotière 

The SEFO 2024 Triennial is a continuation of the first edition, which took place in 2021 and was subtitled UNIVERSUM. Its aim was to search for and examine possible connections and fixed points in the structure of the world we live in. The general validity of the temporal and spatial dimension of UNIVERSUM is concretised in the SEFO 2024 Triennial, whereby time and space are grasped through art-historical categories. We observe art, architecture, and their environments in real time, but with an emphasis on the modes of historicity and interpretive frameworks that are, or have been, attributed to them.

The timeline in retrospect and in prospects for the future offers many MOMENTS when the fixed points that are chosen, analysed, and named lose their validity and stability, when they undergo a change of perception, acceptance, or even crisis. The objects we focus on in the SEFO 2024 Triennial are represented by a set of terms borrowed from the art historian, theorist, and curator Octavian Eşanu. His triad Monument-Document-Mockument is adapted and measured in the Triennial concept by the current concept of the moment.

MOMENTS do not represent only impermanent points on the timeline for us, they also allow us to explore and compare experiences, long processes, and critical turns. The Triennial wants to work with those moments when we touch our own history and memory and when we construct their image through art and architecture.

MONUMENTS, in the Triennial concept, represent the supposed certainties of the past and the present. Let us imagine memorials, monuments, and entire protected complexes as products of social agreements or historical constructs, let us examine objects that are worthy and unworthy of protection, tangible and intangible, materialised memory and its care or lack thereof.

The tools we use to systematise the knowledge of memory (and at this point we touch directly on the essence of the organising institution) are covered by the term DOCUMENT.

The instrument of the experiment is MOCKUMENT, which introduces mystification or irony into the interpretive processes, questioning myths based on the reality of previously unambiguous facts.

We are pleased to invite you to a joint evening with the galleries in Schleifmühlgasse.

Christine KÖNIG | CHAPTER III: DAS BILD UND SEIN BUCH

Mathieu Cherkit

DÉDALE (House of Leaves, Mark Z. Danielewski)

through June 29

Christine König Galerie

Maruša Sagadin through July 27

Dawid Radziszewski

Host

Jerzy Bereś, Ewelina Chrzanowska, Jesse Darling,
Tomasz Kowalski, Joanna Piotrowska, Agnieszka Polska, Șerban Savu through June 29

GALERIE3

Treasure Hunt

Alex Amann, Iris Andraschek, Alfredo Barsuglia, Hugo Brazão,
Alexandru Corsaca, Veronika Dirnhofer, Daniel Domig, Sophie Dvořák, Violetta Ehnsperg, Karine Fauchard, Terese Kasalicky, Anna Khodorkovskaya, Suse Krawagna,
Florian Aschka & Larissa Kopp, Maria Legat, Hubert Lobnig, Sylvia Manfreda,
Markus Orsini-Rosenberg, Edith Payer, Margot Pilz, Raphaela Riepl, Rojo & Kreß, Hans Schabus, Evamaria Schaller, Christoph Schwarz, Darja Shatalova, Harald Stoffers, Sandra Val through July 20

Georg Kargl BOX

Agnieszka Polska

Dreaming Clocks

through July 20

Georg Kargl Fine Arts

Erwin Thorn

approaching space – androgynous approaching space – meta-a-morphosis through July 20

Georg Kargl PERMANENT

Mark Dion

Department of Cryptozoology

through Dezember 31

KOENIG2 by_robbygreif

Annie Lapin

Emptied by the Sun

through July 27

Blind Date

The Maximilian and Agathe Weishaupt Collection in Dialogue with the Liaunig Collection

April 28 - October 31, 2024 | Museum Liaunig, Neuhaus

In the main exhibition ‘BLIND DATE - The Maximilian and Agathe Weishaupt Collection in dialogue with the Liaunig Collection’, curators Alexandra Schantl and Franziska Straubinger present geometric-constructivist art in its diverse, transnational and cross-generational forms.

In the exhibition, works from the Liaunig Collection meet works from the Munich collection of Maximilian and Agathe Weishaupt. The couple of the same name focussed their collection on art after 1945, and while they initially mainly collected concrete-constructivist positions, this view has broadened over the years, so that the collection now also includes a wide range of non-objective contemporary art from Germany and abroad.

The selection of works was based on the largest overlap between the two collections according to thematic aspects, which have always represented central issues of abstract art, namely colour, form, light, space and material and their multifaceted interactions.

https://www.museumliaunig.at/de/ausstellungen/2023.html 

NOW | Solo Show

opening Sunday 26/05/2024, 2pm-7pm

in the presence of the artist

We live in a present and a society that seeks to shorten every activity. Speed dating is common, fast food is consumed, and a nap should be enough for recovery. Liddy Scheffknecht, within the exhibition NOW, deals with cyclical events that cannot be accelerated. The artistic materials and tools she uses are sunlight and the rotation of the Earth. Using a mask attached to a window, the sunlight is sculpted into a specific form. The resulting light spot is constantly moving within the space, briefly connecting to an object in the room at a given moment. The movement of the sunlight reflection and the moments of this journey are captured through photographs and videos. In other works, a light spot in the form of writing moves across paper and is captured in drawings, or manifests in the appearance of sculptures.

https://parisgalleryweekend.com/en/gallery/2248-m2-2/

 22,48 m2 | 29, Rue de la commune de Paris

https://www.2248m2.com/

The Thousand Suns

24th Biennale of Sydney

March 9 - June 10, 2024

New Presentation of the Collection of Contemporary Art

August 10, 2023 - August 31, 2025 | Museum Ludwig Köln

The Mu­se­um Lud­wig col­lec­tion in­cludes the most im­por­tant artists of the twen­ti­eth cen­tu­ry and con­tem­po­rary art. The works of mod­er­nism and art from 1945 to 1970 are ar­ranged chrono­log­i­cal­ly from the up­per­most to the mid­dle floor. The con­tem­po­rary art in the stair­well and on the base­ment lev­el forms the back­bone and foun­da­tion of the mu­se­um, look­ing in­to the past and the fu­ture. At the same time, the col­lec­tion pre­sents the di­verse me­dia and con­cep­tu­al man­i­fes­ta­tions of con­tem­po­rary art, which do not fol­low a firm­ly estab­lished canon and can­not be cat­e­go­rized in­to styles.

Ev­ery two years the Mu­se­um Lud­wig pre­sents a new se­lec­tion of con­tem­po­rary art from its col­lec­tion. This edi­tion, run­n­ing from Au­gust 10, 2023 till Au­gust 31, 2025, will fo­cus on dif­fer­ent con­cepts of time and ways in which artists han­dle the top­ic in their work. Many artists draw at­ten­tion to the fact that art is ex­pe­ri­enced in the pre­sent, while al­so ques­tion­ing me­m­o­ry, re­mem­brance, and his­to­ri­og­ra­phy. The pre­sen­ta­tion is framed by “val­ue of time” as a con­cep­t—a so­cial­ly de­ter­mined val­ue on which ab­s­tract, quan­ti­fi­able time is based.

The start­ing point is Wal­ter Ben­jamin’s haunt­ing im­age from 1940 of the “an­gel of his­to­ry,” with which he de­scribed the re­la­tion­ship be­tween past, pre­sent, and fu­ture. This estab­lished the con­cept of a crit­i­cal his­to­ri­og­ra­phy that orig­i­nates from eco­nom­ic pa­ram­e­ters. Vari­ous facets of this con­cept are re­flect­ed by the ex­hibit­ed works, in which tem­po­ral­i­ty takes ef­fect, the past is re­flect­ed in its re­la­tion­ship to the pre­sent, and fu­ture events are an­ti­ci­pat­ed.

Fea­tured artists: Tho­mas Bayr­le, Alighiero Boet­ti, Frank Bowl­ing, Miri­am Cahn, Mark Dion, Maria Eich­horn, Harun Faroc­ki, Guan Xiao, Wade Guy­ton, Lubai­na Himid, Ull Hohn, Re­bec­ca Horn, Anne Imhof, Boaz Kaiz­man, Car­o­lyn Lazard, Jochen Lem­pert, Pau­line Mʼbarek, Ker­ry James Mar­shall, Park McArthur, Os­car Muril­lo, Fü­sun Onur, Asim­i­na Paradis­sa, Robert Rauschen­berg, Cameron Row­land, Ju­lia Sch­er, An­dreas Schulze, An­dreas Siek­mann, Di­a­mond Stingi­ly, Danh Vo, Lois Wein­berg­er, Haegue Yang

Cu­ra­tor: Bar­bara En­gel­bach

https://www.museum-ludwig.de/en/museum/collection/collection-of-contemporary-art.html

Désordres

Extraits de la collection d´Antoine Galbert

March 8 - July 7, 2024 | Musée d´art contemporain Lyon

After Une histoire de famille, Collection(s) Robelin in 2022, the first ever exhibition at the macLYON dedicated to a private collection, the museum has invited collector Antoine de Galbert to exhibit a large selection of works from his personal collection over an entire floor of the museum.

Originally from the Auvergne-Rhône-Alpes region, Antoine de Galbert has been working for numerous years to promote and support contemporary art, mainly through the foundation he established in 2003. He was also the founder and president of La Maison rouge, an exhibition space whose artistic programme marked the Parisian arts scene between 2004 and 2018. For over thirty years, Antoine de Galbert has been collecting contemporary art with a strong focus on Art Brut, as well as other forms of ethnological and/or folk art. His eclectic collection bears witness to his insatiable curiosity and the interest he has taken in both internationally recognized artists and young artists whose works are still little known. His self-taught yet confident sensibility has afforded him free rein in the selection of pieces, allowing him to bring together an independent collection freed from the traditional norms of art history. His commitment to the art world and the relationship he maintains with the artists in his collection make him a passionate and exciting collector.

The artworks in Antoine de Galbert’s collection are regularly presented in exhibitions in France and overseas alike. He has also made several significant donations to a number of prestigious collections including those of the Musée des Confluences in Lyon in 2017 (the donation of 530 headpieces), the Musée de Grenoble in 2023, as well as the Centre Pompidou, Château d’Oiron, and Musée des Beaux-Arts de Lyon.

Designed in close collaboration with Antoine de Galbert, this exhibition at the macLYON features over 250 works, showcasing the wealth and singularity of his collection.

https://www.mac-lyon.com/fr/programmation/desordres-extraits-de-la-collection-antoine-de-galbert 

The Bird Show

Birds between freedom, war and quantum mechanics

11 April – 27 July 2024 | ERES Foundation

Birds fly wherever they want, unbound, independent, regardless of national borders. And yet they sometimes get caught between the fronts, as the recent case of a pigeon released in India, which is said to have been spying for China, shows. The symbol of peace as a secret agent on behalf of rival powers?

This spring, the ERES Foundation is focussing on the biology, anatomy and symbolism of birds. The enormous diversity of the more than 10,000 bird species worldwide is concentrated in a dense synopsis of contemporary art positions, which focuses on the attractive symbolic power of the animals as identity-forming creatures as well as their brilliant sensory perception and their inner magnetic compass. This has made them useful assistants to the military in a wide variety of wars, from the Crusaders to the present day. The unique physique of birds and their ability to navigate fascinate engineers and AI experts alike, making hawks and chickens role models for new developments in bionics and robotics. The exhibition also follows the spectacular migration of birds, the secret of which, according to the latest studies, is probably also rooted in quantum mechanics. Birds connect habitats, resources and biological processes, but their outstanding adaptability is also at risk in times of global species change.

The ERES Foundation gallery becomes an “aviary of diversity”, where “dirty parrots” meet “famous pigeons”, while flamingos duck away under imaginary fire and canaries warn of poison gas. The show invites to go birding – without binoculars!

Featured artists: Monira Al Qadiri, Thorsten Brinkmann, Mark Dion, Max Ernst, Gerrit Frohne-Brinkmann, Henrik Håkansson, Petrit Halilaj, Carsten Höller, Nicolas II Huet, Anna Jermolaewa, Šejla Kamerić, Nira Pereg, Elodie Pong, Harald Popp, Walid Raad, Robert Rauschenberg, Boris Saccone, Niloufar Shirani, Nora Turato

https://eres-stiftung.de/en/program/the-bird-show

I will watch with you

David Fesl, Esther Kläs

May 15 – July 7, 2024
opening: May 14, 2024 from 6 pm
curator: Zuzana Blochová
collaboration: Marek Meduna

Center for Contemporary Art Prague, Prague
www.cca.fcca.cz

Der Ton und seine Töne (Clay and its Tones)

Tuesday, May 14, 7pm

MAK - Museum of Applied Arts, Vienna
www.mak.at
 

Camila Sposati’s gestural clay sculptures interpret the use of form of musical instruments—and in this conversation piece the artist will play on them! Before the sound performance, the curators of the exhibition will talk to Camilla Sposati about the relationship between culture and nature, the interpretation of community in small and large forms, as well as the link to rituals in her cultural environment in Brazil. Sposati makes the instruments in her Balata series from a rubber-like substance, a traditional indigenous material gained in the Amazon.

We cordially invite you to join us for the finissage Bringing Owls from Athens.

Bringing Owls from Athens
Georg Kargl BOX x Callirrhoë, Athens
Finissage: Saturday, May 11, 12.00-16.00

Olympia Tzortzi, the curator of the exhibition and founder of Callirrhoë, will be present.

Collection

23. März - 4. Mai, 2024 | Blansko, Galerie města Blanska, Dvorská 2, Tschechien

Baumaterialien und Architekturfragmente unterschiedlichen Alters, Aussehens und Qualität bilden die materielle Grundlage der Arbeit des österreichischen Künstlers Andreas Fogarasi. Die partizipatorische Installation, die in Zusammenarbeit mit Bürgerinnen und Bürgern durch die Geste der Leihgabe von Türen aus ihren Häusern entstand, ist Teil von Fogarasis Langzeitserie Material Libraries und wurde für die Stadtgalerie Blansko maßgeschneidert. Mit dieser Serie macht der Künstler nicht nur Relikte der Vergangenheit sichtbar, sondern erkundet auch die Beziehung der Menschen zu Architektur und Design.

Die Ausstellung findet unter der Schirmherrschaft des österreichischen Honorarkonsuls Mag. Georg Stöger statt.

https://www.oekfprag.at/bildende-kunst/andreas-fogarasi-collection-2024-03-23/

We cordially invite you to join us for the finissage of the exhibition The Borrowed Eye of a Needle by Katrina Daschner

Saturday, April 27, 11.00-16.00
Guided Tour by the artist at 14.00

@ Georg Kargl Fine Arts
 

April 12, 2024 
starting at 7pm

Kunsthalle Wien, Museumsquartier 
 

aJoin an evening of drag king performances by rey, Miki Moskito, Sarah Tasha Hauber, and Karl Klit, and the launch of Katrina Daschner’s newest publication BURN & GLOOM! GLOW & MOON! within the space of the current exhibition Darker, Lighter, Puffy, Flat.

BURN & GLOOM! GLOW & MOON!, co-published with Sternberg Press, transfers the immersive environment of senses, textures, and feelings of present in Daschner’s same titled solo exhibition at Kunsthalle Wien into book form, and touches upon the transforming of “femme”-ness, bodies, and genders.

Bringing together various generations of queer artists and performativity, the launch will feature a discussion with the artist Katrina Daschner, curator Övül Ö. Durmuşoğlu, writer and contributor to the book Amelia Groom, one of the performers, and curator Laura Amann moderated by Nicole Suzuki. The artists present will showcase their drag personas, ranging from kinky cowboy aesthetic to TikTok and pop-cultural references. Feel free to come in drag!

We are pleased to announce our participation at miart 2024 with selected pieces from Denisa Lehocká, Mercedes Mangrané und Erwin Thorn.

Georg Kargl Fine Arts
Booth A87 

miart Art Fair
April 12-14, 2024 

Allianz MiCo
Viale Lodovico Scrarampo
Hall 3, Milano 

https://www.miart.it/en/

Booth C01

Mark Dion

Andreas Fogarasi
Herbert Hinteregger

Thomas Locher

Nedko Solakov

 

February 22, 2024

Preview 14.00-17.00

Vernissage 17.00-20.00

by invitation only

Public Days

February 23- 25, 2024

Festspielhaus Bregenz

www.stage-bregenz.art

SAVE THE DATE!

SPARK
Art Fair Vienna

March 15 - 17, 2024

www.spark-artfair.com

Georg Kargl Fine Arts is happy to launch the artist book Afterlives by Mladen Bizumic.

Book Launch
Saturday, February 17, 15.00-17.00
Introduction by Stephen Zepke at 15.30

Mladen Bizumic approaches his artist book Afterlives as a means of production, presentation, and reproduction of art. Alongside a selection of his projects (ALBUM, MoMA's BABY, EQUALITY and COPIA), realized between 2017 and 2024, the book features an in-depth essay by philosopher Stephen Zepke, and Bizumic's interview with art historian Joan Levin Kirsch (who worked at MoMA and the Smithsonian) about her lesser-known, innovative role that led to AI, satellite imagery, and digital photography.

Afterlives can be seen as an autonomous book. When presented within the context of Bizumic's current exhibition COPIA: Collection of Post-Industrial Arts, the book provides further insights into the artist's new, critical reflection on the questions of re-formation and re-valuation in the digital age.

We cordially invite you to a conversation between Diedrich Diederichsen and Mladen Bizumic in the context of Bizumic's exhibition COPIA: Collection of Post-Industrial Arts.

Wednesday, January 17 at 17.00

The critic Diedrich Diederichsen and the artist will talk about the relationship between exhibition-making, contemporary art, and critical writing. The conversation continues a discussion about the analog-digital shift, which they started during Bizumic´s PhD thesis Photo-capitalism: On Social Relations in the Production and Distributing of Contemporary Art, that was supervised by Diederichsen.

...and they lived...
curated by Jen Kratochvil, Tjaša Pogačar, Jelisaveta Rapaić

December 15, 2023 - February 14, 2024

Kunsthalle Bratislava, Bratislava
www.kunsthallebratislava.sk

HARD/SOFT
Textiles and Ceramics in Contemporary Art
curated by Bärbel Vischer and Antje Prisker

December 13, 2023 - May 20, 2024

MAK, Vienna

Lingua Franca
curated by Tiago Abreu Pinto

December 7, 2023 - March 24, 2024

The exhibition presents a dialogue using the common language of art between two seemingly different cultures, Slovak and Brazilian.

... Tiago de Abreu Pinto, curator: “I’ve got to confess that I have a tendency to perceive meaningful connections between unrelated things. It all began with a small sphere: a table tennis ball. I noticed the obsession of two people: the Slovak artist Július Koller and the Brazilian artist Lenora de Barros. I became interested in their obsession over table tennis. ”

Bratislava City Gallery, Bratislava
www.gmb.sk

Nedko Solakov
A Cornered Solo Show #3 (with Charles Esche as my artistic conscience)
November 24, 2023 - June 19, 2024

Bulgarian artist Nedko Solakov’s artistic intervention, A Cornered Solo Show #3, will not be on view in the prestigious galleries of the Upper Belvedere; instead, it can be found in an inconspicuous corner of the museum’s coatroom. In this transitional space between arrival and departure, Solakov engages visitors with the themes of his art and wittily involves them in an inner dialogue with his artistic conscience.

curated by Stella Rollig
Assistant Curator: Johanna Hofer

www.belvedere.at

Denisa Lehocká for National Gallery - Tatra banka Donation to SNG Collection
November 24, 2023 - January 14, 2024

Slovak National Gallery, Bratislava

Cosmos Cinema

14th Edition of the Shanghai Biennale
November 9, 2023 - March 31, 2024 

Power Station of Art
678 Miaojing Road
200011 Shanghai

Camila Sposati, Breath Pieces (Part II)
curated by Bettina Korintenberg and Marcelo Rezente
November 03, 2023 - February 04, 2024

Opening: November 02, 19.00

ifa-Galerie Berlin

Camila Sposati's exhibition in Berlin represents a renewed voyage into the profound intricacies of sound, the natural world and the symbiotic interweaving of culture, history, science and politics.
As her first comprehensive solo exhibition in Germany, Breath Pieces marks a significant milestone for Sposati. One of the intriguing sources that informs Sposati’s work is the anatomical theatre and the profound experience of dissection. Anatomical theatres, born during the European Renaissance in the late 16th century, were specialised lecture halls designed for the meticulous dissection and examination of cadavers. These venues played a pivotal role in advancing medical education and deepening the understanding of the human body. For Sposati, the act of dissection transcends mere historical annotation, becoming a philosophical construct predating the very physicality of these theatres.
Showcasing 15 pieces, a result of her research in different territories and cultures, the exhibition unfolds as a meticulous dissection in itself, with Sposati probing into the annals of history, materials and elemental forces. The show commences with an exploration into crystals, continues with an artistic metamorphosis inspired by the perpetual blaze of Darvaza (a natural gas crater in Turkmenistan that has been burning continuously since 1971), delves into the anatomy of the anatomical theatre and crescendos with the instrument series Phonosophia an intricate artistic exploration into the relations of instruments, the player and the sound.
Sposati's emphasis on discerning the intrinsic nature of sound in Phonosophia elevates it beyond a mere auditory and tactile experience, viewing it as an evolutionary mode of communication across generations. The wind instruments of ceramic and Amazonian natural rubber balata with metal mouthpieces central to the second part of the exhibition, undergo a transformative process in Berlin, assuming a character that defies conventional cultural categorisations. They cease to be mere instruments, evolving into enigmatic entities that actively challenge preconceived cultural notions, dictating the terms of engagement with the observer.
Fundamental to Sposati's artistic philosophy is a compelling call for a paradigm shift in the perception of objects, particularly those of ethnographic significance. She contends that objects should not be subject to the passive regulation of the observer, rather, that they themselves should dictate the terms of their observation. This meaningful shift in perspective imparts an active agency to the objects, guiding the observer through clandestine layers of meaning uniquely unveiled within the context of Berlin. "Breath Pieces" invites the viewer to reevaluate the intricate interplay between elements, history and the multifaceted human experience.

The first part of the exhibition Breath Pieces was on display in the ifa Gallery Stuttgart from May 13 - August 20, 2023.

Doppelganger!, Jakob Lena Knebl and Ashley Hans Scheirl
October 19, 2023 - January 7, 2024

Palais de Tokyo, Paris
www.palaisdetokyo.com

Paris Internationale
18. - 22. October 2023

Booth 2.10

Georg Kargl Fine Arts presents works by Jakob Lena Knebl and Mercedes Mangrané.

The work of Jakob Lena Knebl engages with historical references, reimagining them in new ways, to consider how we construct meaning in our present. Having established a unique art-historically argumentative language that revolves around questions of corporeality, her work crosses boundaries between art, design, high and low culture, which echoes the fluid movements of identity. Paraphrasing "La grande baigneuse" (1947) by Henri Laurens, Knebl transforms the voluptuous female nude with erotic charisma into a cute, cuddly transgender configuration.  Works from the 49th Venice Biennale by the artist are part of our presentation.

Mercedes Mangrané examines the embeddedness of cultural production within our daily lives. Mined from habitual encounters and translated into subconscious landscapes, the paintings explore the sensory conditions of such experience through the vibrations that occur within matter and shifts in tonal gradient. Traversing both a lightness and density of material, she engages a dialectic between instances of everyday occurrence and systems of cultural power, that reflects on the movements amidst finitude and transformation, form and formlessness.

press information
The Best Booths ar Paris Internationale - artnet.com

Vanessa Joan Müller on POINT

Denisa Lehocká ususally calls her works Untitled, refraining from singling out individual pieces from her continuous flow of production. Each one is a manifestation of an elaborate, intuitive process of creation....

Link to the article

Cathrin Mayer guides through Comizi d´Amore.

Today, Yesterday, Tomorrow
curated by Valentinas Klimašauskas

Project Zone
Art Vilnius'23
October 13 - 15, 2023

Exhibition and Congress Centre LITEXPO
Vilnius, Lithuania

Andreas Fogarasi, Jakob Lena Knebl, Denisa Lehocká, Nadim Vardag

Booth A04

September 7 - 10, 2023

www.viennacontemporary.at

Hana "Flower" section
Booth H20
Solo presentation: Denisa Lehocká

July 6 - 9, 2023

The portfolio of our presentation is available here.

www.tokyogendai.com

im Rahmen der Ausstellung: Liddy Scheffknecht, Broken Flowers

Donnerstag, 29. Juni, 18:00

In Form eines Gesprächs mit Kuratorin Petra Noll-Hammerstiel führt Liddy Scheffknecht durch ihre Ausstellung Broken Flowers. Sie stellt Fotosequenzen, Fotos, Videos und Wachskreidezeichnungen aus, die auf der Basis installierter Pflanzen- und Blumensettings entstanden sind. Die interdisziplinär arbeitende Künstlerin beschäftigt sich auf spielerisch-experimentelle Weise mit der Wahrnehmung von Wirklichkeit, Zeit und Raum und setzt dabei ungewöhnliche Materialien wie Sonnenlicht, Schatten und Erdrotation ein.
Weiters erzählt Liddy Scheffknecht  anhand von Bildern über die zahlreichen Verbindungen ihrer  Arbeit-en  zu  Schatten in Literatur und Kunst. In vielen Märchen und auch in den Arbeiten der Künstlerin geht es um Schatten, die sich selbstständig machen.

www.kunstnoll.de

Korridor
Hertha-Firnberstraße 10/Stiege 4/1. Stock/Tür 1
1100 Wien

ARCOlisboa 2023 will open its doors on 25th May, dedicating this first day to the professionals. 
Access for the general public will be from 26th to 28th May.

Booth: G02

Viennese Scenes and Beyond – Part 1

Opening: April 7, 2023 at 19.00
April 8- July 2, 2023

www.belvedere.at

Camila Sposati
DIGGING FOR SAMPLES IN THE THEATRE OF THE LONG NOW | A SUBTERRANEAN EXPERIMENT
April 1, 2023, 13.00–17.00

Containercity
Innerer Nordbahnhof 1
70191 Stuttgart 

Programm:

SUBTERRANEAN DRAWING EXCERCISE 
Beginning: 13.00

DRILLING AND SOIL SEVEN 
Beginning: 14.00

ADAPTING THE MOUTHPIECES
after drilling

LISTENING TO THE SOIL 
all the time

TASTING THE SOIL
all the time
 

Please find out more about this performance here
 

February 19 – August 31, 2023
Quetzal Art Center, Vidigueira, Portugal

Georg Kargl Fine Arts is delighted to announce the solo exhibition In the Pictorial Code by David Maljković at Quetzal Art Center. At the core of Maljković’s practice is a regimented exploration of formalist concerns. Whilst narrative is the driving element at the origin of a project, the artist’s varied means of visual implementation consistently and profoundly modifies and compromises its supremacy, whether that is through photography, video, sculpture, installation, collage or painting. In the Pictorial Code presents recent works that play with the idea of painting as a guardian of time and the painter’s position as its witness. The exhibition establishes a marking system that embodies the image’s position within the author’s practice, and also tracks its displacement into other media.

Lenora de Barros
LOOP Fair 2022
Room 214

Professional Preview: November 15
Open Days: November 16 - 27

venue:
Almanac Barcelona Hotel
Grand Via de les Corts Catalanes, 619-621
08007 Barcelona

For further information please click here

Katrina Daschner
Lenora de Barros
Mark Dion
Jakob Lena Knebl
Ketty La Rocca
Denisa Lehocká
David Maljkovic

Booth: Dark Blue / 10

Preview: November 3 (by invitation only)
Public Days: November 4-6

www.artissima.art

Paris Internationale 2022
Room 3.10 B

Lenora de Barros 
Katrina Daschner
Jakob Lena Knebl
Denisa Lehocká 

Preview: October 18, 11.00 - 20.00 (by invitation only)

Public Days (free entry)
October 19–20, 12.00 - 19.00 
October 21–22, 12.00 - 20.00
October 23, 12.00 - 18.00

 

Paris Internationale 2022
35, Boulevard des Capucines
75009 Paris

Lenora de Barros @ Kulturspeicher Würzburg
 

Konkret Global, Kulturspeicher Würzburg
01. Oktober 2022 bis 15. Januar 2023

Die Ausstellung "KONKRET GLOBAL!" greift die Idee der Konkretion als globales Phänomen auf und untersucht anhand von Schlüsselfiguren und -werken die ästhetischen Ausprägungen, gesellschaftspolitischen Dimensionen und ihre Netzwerke nach 1945 in verschiedenen Kontexten weltweit. 

Please take part of the guided tours by Hana Ostan Ožbolt 

Saturday, October 1 - 14:00 
Saturday, October 8 - 14:00

Join us for the finissage of Sára Röth "upstairs" curated by Doris Krüger.

Thursday, September 22nd, from 18.00

@ Georg Kargl Permanent

Over the souls of those submerged beneath

That mess, is an outlandish, vicious beast,

His three throats barking, doglike: Cerberus.

 From The Divine Comedy by Dante Alighieri

Inferno, Canto VI

(translated by Allen Mandelbaum, Berkeley, 1980)

Sára Röth was born in Hungary, grew up internationally, lives and works in Vienna. 

Doris Krüger is an artist, part of the artist duo Krüger & Pardeller, curator and lecturer at the University of Applied Arts Vienna.

TRANS... genre, medium, context, discipline, materiality, aesthetics, identities, gender...

An exhibition series by the institute Transmedia Arts, University of Applied Arts Vienna at Georg Kargl Permanent
At the invitation of Georg Kargl Fine Arts, Jakob Lena Knebl and team of the Transmedia Arts department designed an exhibition series with students at Georg Kargl PERMANENT, running from April to December 2022.
The seven-part series is curated by the team of the class Transmediale Kunst, University of Applied Arts Vienna. The exhibitions present works by students that have a kinship to their own artistic practice, as well as expertise of the individual members of the team. The approach is to make the diverse thematic fields and the methodological diversity of Transmedia Arts visible to a broad public.

Transmedia Arts / Jakob Lena Knebl
University of Applied Arts Vienna
hosted by:
GEORG KARGL PERMANENT

Tipsy Tina

Exhibition contributions by ANTHEA, Miriam Desta Adefris, Eliza Ballesteros, Albin Bergström, Lea Dippold, Ebony Tylah, Anna Hostek, Aline Sofie Rainer, Rosa Rendl, Riot Pant Project, Juni-Nyusta Ruckendorfer, Katharina Schilling, Maša Stanić, Louise Streissler, Bartholomaeus Wächter

Curated by Anna Hostek

ROSA RENDL @ KUNSTHALLE EXNERGASSE

Speakers: KJ Freeman, Adomas Narkevičius, Lívia Páldi, Róna Kopeczky and Inga Lace. Moderated by Hana Ostan Ožbolt. 

Saturday, September 10 at 18.00
at Georg Kargl Fine Arts. 

The topic of this year's Curated by festival with its proposed Kelet-Nyugat / East-West dichotomy seems resurgent, slippery and polemic. How can one think about the local and the regional in the current sociopolitical moment without (re)producing spatial formations and divisions as well as perpetuating existing clichés about artistic practices from the East or the West? 

Camila Sposati
37° Panorama da Arte Brasileira (group)
MAM | Museu de Arte Moderna, São Paulo

Opening: July 23, 2022 | 13h
July 24, 2022 –  January 15, 2023

MAM | Museu de Arte Moderna, São Paulo

We are pleased to invite you to the performance Singing Stones by In My Talons on the occasion of the Finissage of Olivia Coeln's exhibition KNOT OF TOADS at Georg Kargl BOX. 

Olivia Coeln
KNOT OF TOADS
Finissage: July 22, 2022 
19.00 – 22.00

Performance Singing Stones by In My Talons
starting at 19.30

Katrina Daschner
BURN & GLOOM! GLOW & MOON!
Thousand Years of Troubled Genders

curated by Övül Ö. Durmuşoğlu

Kunsthalle Vienna

Opening: June 29, 2022
June 30 - October 23, 2022

Kunsthalle Vienna

Press release

Agnieszka Polska
Climate of Concern: Burning Out in the Age of Fossil Expressionism (group)
curated by Niekolaas Johannes Lekkerkerk
RADIUS CCA, Delft

June 25 - September 29, 2022 

RADIUS CCA

17.00 - 19.00

Rosa Rendl
The logic of intuition

Edited by Attilia Fattori Franchini
With contributions by Attilia Fattori Franchini, Quinn Latimer, Laura McLean-Ferris

Designed by FONDAZIONE Europe, Alexander Nussbaumer, Leonard Siegwardt

Edition of 150
27 x 21 cm
72 pages
31 color ill.
offset printing
ISBN 978-3-200-07920-5

Jakob Lena Knebl
Invitation of the Soft Machine and Her Angry Body Parts
Austrian Pavilion, Giardini 

April 23 – November 27, 2022

Austrian Pavilion

59th International Art Exhibition of La Biennale die Venezia

____________________________

Selected Press

artnet | Naomi Rea

Kleine Zeitung

artmagazine | Walter Seidl

profil | Nina Schedlmayer

The Guardian | Adrian Searle

derStandard Interview | Katharina Rustler

News ORF | Georg Petermichl

ORF

Lenora de Barros
The Milk of Dreams
curated by Cecilia Alemani
Central Pavilion, Giardini

April 23 - November 27, 2022

59th International Art Exhbition of La Biennale Arte 2022

________________

The Art Newspaper | Ben Luke

Lenora de Barros
Retromemória
curated by Cauê Alves 

MAM | Museu de Arte Moderna, São Paulo

Andreas Fogarasi
Schindler House Los Angeles. Space as a Medium of Art (group)
curated by Bärbel Vischer

MAK, Vienna

Andreas Fogarasi
SKIN CALENDAR
curated by Eröss Nikolett

Budapest Gallery 

Booth J3

SPARK 2022

Monopol | Brigitte Werneburg

FAZ | Nicole Scheyerer 

Wiener Zeitung | Christof Habres

Juliet Art Magazine

Handelsblatt I Stefan Kobel

Female Photographers in Focus curated by Bettina Leidl and Marieke Weigel

Booth I1

SPARK 2022

Wiener Zeitung | Christof Habres

Juliet Art Magazine

Herbert Hinteregger
Untitled (Tomorrow)

Buchpräsentation / Katalog zur Ausstellung TODAY (UNTITLED)
Fr / 01.04.22, 19:00

Kunsthaus Mürz

Mladen Bizumic
Metadata: Rethinking Photography from the 21st Century (group show)
curated by Christopher Jones, Stanton B. and Nancy W. Kaplan

The Ringling Museum, Sarasota

Nadim Vardag
Wenn der Wind weht (group)
curated by Verena Kaspar-Eisert and Liddy Scheffknecht
Kunst Haus Wien

WATCH NOW: MARIANA CASTILLO DEBALL AND ANDREAS FOGARASI @ GEORG KARGL FINE ARTS

WATCH ONLINE: MLADEN BIZUMIC @ MUMOK, VIENNA 

Andreas Fogarasi (with Mariana Castillo Deball) @ Georg Kargl Fine Arts
Falter, 09.02.2022

Herbert Hinteregger @ Galerie am Polylog

Der Standard, 04.02.2022

JITKA HANZLOVÁ @ F2 GALLERIA

DAVID FESL @ BRNO HOUSE OF ARTS

LIDDY SCHEFFKNECHT @ KUNSTRAUM DORNBIRN

WATCH NOW: AGNIESZKA POLSKA AND SAM SAMIEE @ GEORG KARGL FINE ARTS 

ARTISSIMA | Dialogue
Mark Dion
Camila Sposati

Booth 14 | Corridor BLACK
November 5 – 7, 2021

ARTISSIMA
OVAL Lingotto Fiere
via Giacomo Mattè Trucco, 70
Torino 

David Fesl & Jakob Lena Knebl
Room 1.5

186 Avenue Victor Hugo
75116 Paris 

Oct 20 - 24, 2021
PARIS INTERNATIONALE


David Fesl
Jakob Lena Knebl 

Agnieszka Polska
FIAC OVR 

Oct 20 - 25, 2021
FIAC

Agnieszka Polska

GEORG KARGL FINE ARTS

ROSA RENDL @ MIART 2021
EMERGENT

Booth C11

MIART
Rosa Rendl

An Incomplete & Unreliable Guide to Social Media War Room Curated by Valentinas Klimašauskas

Spike Art Magazine, Vanessa Joan Müller, 26.09.2021

Jakob Lena Knebl & Agnieszka Polska @ Belvedere 21

Der Standard, Katharina Rustler, 14.09.2021

Agnieszka Polska @ Baltic Triennial 14 
Tagesspiegel, Werner Bloch, 05.09.2021

Agniezska Polska @ Museum of Modern Art Warsaw

ArtReview, Phoebe Blatton, 03.09.2021

Olivia Coeln
Booth C04

Alte Post Vienna
Postgasse 10
1010 Vienna 

Sep 2 - 5, 2021
Vienna Contemporary

Georg Kargl Fine Arts @ viennacontemporary 2021

Salzburger Nachrichten, 19.08.2021

Georg Kargl Fine Arts @ Miart 2021

politicamentecorretto.com, 08.2021

Olivia Coeln @ ViennaContemporary 2021

Trend. Das Wirtschaftsmagazin, Michaela Knapp, 27.08.2021

Georg Kargl Fine Arts @ ARCOmadrid 2021
La Razon, Concha García, 02.07.2021
Ocula, Rory Mitchell, 07.07.2021

Artmagazine.cc, Stefan Kobel, 08.07.2021

Parnass, Sebastian C. Strenger, 09.07.2021

Mark Dion @ Georg Kargl Fine Arts

Vienna Art Week Blog, Maximilian Steinborn, 08.07.2021

Wiener Zeitung, Claudia Aigner, 14.07.2021

Agnieszka Polska @ Museum of Modern Art Warsaw

Dwutygodnik, Piotr Fortuna, 07.2021

Booth 7C03

VIP/Professional days:
07/07 - 09/07/2021, 12:00 - 20:00

Public days:
10/07/2021, 12:00 - 20:00
11/07/2021, 12:00 - 18:00

Address:
IFEMA Feria de Madrid
Avenida del Partenón 5 
28042 Madrid

ARCOmadrid Website

ARCOmadrid E-xhibition

with Jakob Lena Knebl
Booth P4

Opening 24 June 2021
VIP preview from noon
Vernissage 5–8 pm

Fair days 25–27 June 2021
Opening hours 11 am–7 pm

Jakob Lena Knebl
Der Standard, 02.06.2021

Georg Kargl Fine Arts @ SPARK 2021

Parnass, June-August 2021

Artmagazine.cc, Stefan Kobel, 24.06.2021

Wien Heute, 24.06.2021

Wiener Zeitung, Christof Habres, 25.06.2021

Tagesspiegel, Christiane Meixner, 26.06.2021

Mark Dion @ Georg Kargl Fine Arts

Kurier, Michael Huber, 13.06.2021

Georg Kargl Fine Arts @ Vienna Art Week Blog

Maria Christine Holter, 18.06.2021

Andreas Fogarasi

Der Standard, Stefan Weiss, 18.06.2021

Mark Dion/Jakob Lena Knebl

Der Standard, Katharina Rustler, 19.06.2021

Georg Kargl Fine Arts is proud to present a selection of paintings by American artist and filmmaker CARTER.

In his complex collaged paintings, CARTER integrates various materials such as threads, towels and embroideries, parachute cord and patches. Materials that have a story of their own by referring to their previous life. While assembling them to new meaning, the artist forms a personal reference system. The paint as well as the ‘ready-mades’, create a hybrid collage in form of an abstract painting. With isolated figurative markings and abstract styles, these reflections on painting show the process as well as an evocation of fragmented identities. The multi-layered and subtly variated colored paintings depict faces, meticulously sewn eyes, wide opened mouths with brightly colored lips and teeth, stuck out tongues and floating heads. In general, it is a socio-political transformation of identity construction that CARTER is interested in. His works on canvas form lively patchwork carpets of personal symb in olism. Informed by a decades-long interest in the tropes of traditional portraiture, Carter punctuates his multi-textural pieces with facial expressions divorced from the physical body. In more recent paintings, such as „The Past/Next One Hundred Years“, the multi-colored spectrum is intensified and focused on a complex multi-layered painted composition.
Our presentation pays tribute to an artist that has achieved an unique, distinctive and individual style in reference to his artistic predecessors and his own American tradition.
 
CARTER´s work has been included in exhibitions at the Museum of Modern Art, New York; the Whitney Museum of American Art, Tate Modern and the San Francisco Museum of Modern Art, among others.

To visit the presentation, please follow the link here

Rafał Bujnowski @ Georg Kargl Fine Arts
Die Presse, Almuth Spiegler, 03.05.2021

Georg Kargl Fine Arts @ SPARK Kunstmesse 2021

Salzburger Nachrichten, 19.05.2021

Mark Dion @ BIG I University of Vienna

University of Vienna, 21.05.2021

We are pleased to present a historical body of work by Clegg & Guttmann. The presentation includes thirteen ’constructed photographs’ from 2002 and an earlier work, "The History of Photography" from 1984. Eight of the ’constructed libraries’ are sampled photographs of selected books on topics related to anarchism, cubism and syncopated music from libraries in Vienna and New York. The background image of the five photographic portraits are various portraits by Clegg & Guttmann, on which facial parts of anarchists (Goldman, Bakunin, Kropotkin), cubists (Picasso, Gris) and musicians (Joplin, Stravinsky) were transplanted.

To view this presentation, please follow the link here.

Rafał Bujnowski @ Georg Kargl Fine Arts

Wiener Zeitung, Claudia Aigner, 14.04.2021

Jakob Lena Knebl @ MAH Geneve
Der Bund, Christoph Heim, 07.04.2021

A Magazine Curated By, Riccardo Conti, 21.04.2021

Jakob Lena Knebl @ Venice Biennale 2022 

Der Standard, 22.04.2021

Artsy, Allyssia Alleyne, 20.04.2021

Vera Frenkel @ 13th Shanghai Biennal

Artforum, 05.04.2021

Camila Sposati @ Georg Kargl BOX

Wiener Zeitung, Claudia Aigner, 29.04.2021

We are pleased to inform you about our participation at ARCO E-XHIBITIONS.
With two online presentations we approach the mutual interrelation of nature and culture.

Jitka Hanzlová @ ARCOmadrid
3D and 2D presentations are available here

Unfolded Matter - Nature as Culture, Culture as Nature 
@ ARCOlisboa with selected artworks by 

Olivia Coeln
Mark Dion
Peter Fend
Sanna Kannisto 
Agnieszka Polska
Marcel van Eeden

To view this presentation, please follow the link here 

ARCO E-XHIBITIONS is a space created for the ARCO community with the galleries of ARCOmadrid and ARCOlisboa. Hosted on ARCO's website, it will be flexible and changing with new contents every month.

Jakob Lena Knebl @ KUB - Kunsthaus Bregenz / MAH - Geneve

GoOutMag, Aurore De Granier, 03.2021

Femina, 04.03.2021

Finestre sull'Arte, 04.03.2021

C/O Vienna, Antje Mayer-Salvi, 05.03.2021

Monopol, 03/2021, p. 21

Die Presse, Almuth Spiegler, 29.03.2021

Camila Sposati @ Georg Kargl BOX

Select.art.br, 03.03.2021

Georg Kargl Fine Arts @ FIAC - Online viewing rooms 

L'Echo, 01.03.2021
 

Rafal Bujnowski @ Georg Kargl Fine Arts

NN6T, 22.03.2021

We are delighted to inform you about our participation at FIAC Online Viewing Rooms which will take place from March 2^nd – 7^th, 2021.

We will present selected works by Jakob Lena Knebl and David Maljković.


FIAC Online Viewing Rooms
Jakob Lena Knebl
David Maljković

 

Jakob Lena Knebl @ MAH Geneve
Sabine B. Vogel, 09.02.2021

NCR, Thomas van Huut, 17.02.2021

fomo-vox, 28.02.2021

Rosa Rendl
Wiener Zeitung, Andreas Rauschal, 11.02.2021

Eikon #113

Peter Fend

Mousse Magazine, Dora Budor, 25.02.2021

David Maljkovic @ INTERCONTI WIEN
Der Standard, Katharina Rustler, 28.01.2021
Weltkunst, Lisa Zeitz, 15.01.2021

Jakob Lena Knebl @ MAH Geneve

TDG, Jerome Estebe, 30.01.2021

INTERCONTI WIEN

Jakob Lena Knebl & Ashley Hans Scheirl

Seasonal Greetings 
Kunsthaus Bregenz, 12/12/2020 - 14/03/2021

Karl-Tizian-Platz 
Postfach 45 
6900 Bregenz 
Österreich

Jakob Lena Knebl

Press

Homepage Kunsthaus Bregenz

Seasonal Greetings, Jakob Lena Knebl & Ashley Hans Scheirl, Kunsthaus Bregenz 12.12.2020-14.03.2021

Kunsthaus Bregenz

Der Standard, 27.11.2020

Die Presse, 07.12.2020
ORF.at, 10.12.2020
Salzburger Nachrichten, 10.12.2020
Monopol December 2020
Artmagazine, 11.12.2020

The Gap December/January 20/21

Der Standard, 12.12.2020

Frankfurter Allgemeine Online, 20.12.2020

Niederösterreichische Nachrichten Online, 20.12.2020

VOL.at, 22.12.2020

Mercedes Mangrané - Emancipation Series

Lettre International | LI 131, Winter 2020

Kunstmagazin PARNASS, 12/2020-02/2021

Herbert Hinteregger, Silvie Aigner
Mark Dion, Fiona Liewehr

David Maljković PART 7: EXHIBITION @ Georg Kargl Fine Arts
Artmagazine.cc, Susanne Rohringer, 06.11.2020

Curated by_ Alistar Hicks @ Georg Kargl Fine Arts

ArtReview, Max L. Feldmann, 11.11.2020

Olivia Coeln, Mark Dion @ Fragile Schöpfung, Dom Museum, Vienna 

ORF, Religion, 01.10.2020
oe1, 05.10.2020
Der Standard, Katharina Rustler, 13.10.2020

KUNSTFORUM International 270

Andreas Fogarasi, Ein Kunstwerk auszustellen ist nicht dasselbe, wie eine Ausstellung zu machen. Eine dezentrale Gesprächsrunde, moderiert und editiert von Jeanette Pacher und Bettina Spörr, in: KUNSTFORUM International 270, p. 162-183.

Jakob Lena Knebl, Die Ausstellung als Begehrensraum. Ein Gespräch mit Fiona McGovern, in: KUNSTFORUM International 270, p. 100-107.

Herbert Hinteregger @ PARNASS Special Auktion and fine Arts, Autumn 2020

Silvie Aigner/Paula Watzl, (Wieder-)Entdeckungen. Ein Rundgang durch Österreichs Ausstellungen und Festivals 2020, in: Parnass Special Auktion and fine Arts, p. 34-41.

Jakob Lena Knebl, Olivia Coeln, Rosa Rendl @ TREND Magazin

TREND. Das Wirtschaftsmagazin, Michaela Knapp, Künstlerranking, 30.10.2020

Frieze London 2020 - Online Viewing Room!

We are proud to present Vera Frenkel at Possessions, Frieze London 2020.

Vera Frenkel is one of Canada's most renowned multidisciplinary artists, respected both internationally and at home. Her complex and ground-breaking practice addresses the forces at work in human migration, the learning and unlearning of cultural memory, and the ever-increasing bureaucratization of experience.


Preview days: October 7 - 8, 2020
Public days: October 9 - 16, 2020

To access Frieze Online Viewing Room, please register HERE! 

PRESS:

Elephant, 08.10.2020

Harpers Bazaar Arabia, 08.10.2020

Artful Jaunts, 09.10.2020

Fad Magazine, 16.09.2020

ARTnews, 15.09.2020

viennacontemporary 2020
Sep 24 – 27, 2020

Marx Halle
Karl-Farkas-Gasse 19, 1030 Vienna

MAIN
Herbert Hinteregger
Booth: C10

ZONE1 
Rosa Rendl
Booth: D09

Z-series online at vc_on 
Katrina Daschner
Andreas Fogarasi
Nadim Vardag
online: Sep 17 – Oct 27, 2020

Video: Where Do We Find Ourselves… 
Katrina Daschner
Agnieszka Polska

Explorations 
Andreas Fogarasi
Booth: C23
Vintage Gallery in collaboration with Georg Kargl Fine Arts


Visitor Info | Opening hours 
Tickets 
Covid-19

viennacotemporary20
Parnass Special
Trend
Monopol  

Artmagazine

Handelsblatt

Curated by 2020
Curated by 2020 - FAZ

Jakob Lena Knebl
Vorarlberger Nachrichten

Bakelit. Die Sammlung Georg Kargl @ MAK
Kurier, Michael Huber (15.07.2020)
orf.at, Florian Baranyi (18.07.2020)
Welt, Sabine Vogel (26.07.2020)

Jakob Lena Knebl
Dorotheum myArtMagazine, Doris Krumpl (Juli 2020) 

Andreas Fogarasi
Collectors Agenda, Sylvia Metz (Juli 2020) 

Erwin Thorn @ Albertina Modern
Die Presse, Almuth Spiegler (17.06.2020)

Jakob Lena Knebl @ Biennale di Venezia 2022
Parnass Newsflash (24.06.2020)

Visit ARCOlisboa 2020 Online edition with:

Lenora de Barros
Jakob Lena Knebl
Agnieszka Polska
Nedko Solakov

On view: May 20 - June 14, 2020 

Mercedes Mangrané
PARNASS Gallery Diary - Mercedes Mangrané (May 11, 2020)

Jakob Lena Knebl
Spike #63 NEW YORK ISSUE (print edition)

Mercedes Mangrané
Mercedes Mangrané - Drainage Systems: Individuelle Stadtansichten

Antoine Donzeaud
Parnass - Gallery Diary

Nedko Solakov
Arterritory.com - What artists are doing now.

Andreas Fogarasi 
Falter 14/20 -  Die Krise als Chance 
 

Jakob Lena Knebl
Flash Art Online

Antoine Donzeaud
Die Presse – Schaufenster
 

Jakob Lena Knebl’s solo exhibition Frau 49 Jahre alt at LENTOS Kunstmusem in Linz opened on February 6th. The exhibition shows works by Jakob Lena Knebl together with the collection of LENTOS. 

EXTENDED until August 9, 2020

Jakob Lena Knebl - Ruth Anne @ Georg Kargl Fine Arts
artmagazine.cc - Szenarien einer affektiven Körpersprache (Feb. 2020)
Die Presse
Der Standard
ARTFORUM - 2021 Venice Biennale

Jakob Lena Knebl - Ruth Anne @ Georg Kargl Fine Arts
Der Standard - Zu Gast im Fetisch-Apartment (Jan. 2020)
Die Presse - „Mich interessiert das Grenzwertige“ (Jan. 2020)
Der Falter - Genderklamauk, wie aus der Pistole geschossen (Jan. 2020)

Andreas Fogarasi - Nine Buildings, Stripped @ Kunsthalle Wien
Der Standard - Urbanist Andreas Fogarasi in der Kunsthalle Wien (Jan. 2020)
Die Presse - Griss um die alten Fliesen (Jan. 2020)
Parnass (Jan. 2020)
KURIER - Wo Gebäude sich entkleiden, macht Andreas Fogarasi Kunst (Jan. 2020) 

Herbert Hinteregger - Waldboden, Forest Floor @ Zeitkunst Galerie Kitzbühel
Kitzbühler Anzeiger - Ein Raum voller Kugelschreiber?! (Jan. 2020)

Thomas Locher, Willem de Rooij - Modern Alibis @ Georg Kargl Fine Arts
artmagazine.cc - Textur und Sprache (Jan. 2020)
Artforum - Thomas Locher and Willem de Rooij (Jan. 2020)

Agnieszka Polska - I CALL YOUR NAME @ Associazione Barriera, Italy
Contemporary Lynx - I CALL YOUR NAME (Jan. 2020)

Koenraad Dedobbeleer - Sache: Gallery of Material Culture @ Kunstverein Hannover, Hannover 
moussemagazine - Koenraad Dedobbeleer “Sache: Gallery of Material Culture” (Jan. 2020)

Location & Opening hours
IFEMA Feria de Madrid
Avenida del Partenón 5 
28042 Madrid

Date
February 26th - March 1st 2020

Booth
9E10 

Opening Hours
From February 26th to March 1st from 12h to 20h

ARCO Madrid 

LOOP Barcelona BALCONY at artgenève
Booth L1 

Jan 30 - Feb 2, 2020
David Maljkovic, Afterform, 2013

palexpo
route françois-peyrot 30
1218 le grand-saconnex
Switzerland

artgenève
David Maljkovic 

GEORG KARGL FINE ARTS
Jakob Lena Knebl
Ruth Anne

Opening: January 16, 2020
On View: January 17, 2020 - March 28, 2020

Openinghours:
Wed – Fri 1 pm – 7 pm
Sat 11 am – 4 pm

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GEORG KARGL BOX
My Gloomy Record Cover Store
BRUCE! curated by Jakob Lena Knebl

Opening: January 16, 2020
On View: January 17, 2020 - February 29, 2020

Openinghours:
Wed – Fri 1 pm – 7 pm
Sat 11 am – 4 pm

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GEORG KARGL PERMANENT
New Jörg @ PERMANENT
To Some Extent
Albano Afonso, Sandra Cinto, Ding Musa

Opening: January 16, 2020
On View: January 17, 2020 - February 29, 2020